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Visual/verbal

 Subject
Subject Source: Sackner Database

Found in 2127 Collections and/or Records:

[Untitled], 1975

 Item
Identifier: CC-22323-22746
Scope and Contents

Describes Badura's working process relating to assemblages like Pladoyer 1, which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

[Untitled] , 1998

 Item — Folder 77: [Barcode: 31858072538360]
Identifier: CC-30876-32328
Scope and Contents

The image is the maquette (included color highlights that are not in the book illustration) of an illustration for the book, "Pro Eto" by Mayakovsky and Rodchenko. The book and the photograph printed from the original black and white negative are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Untitled #1,121 / Redfern, Snny., 1984

 Item
Identifier: CC-03277-3326
Scope and Contents

Submitted as entry for Homage To The Mad Diarist exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

[Untitled] / Afrika (Sergei Bugaev)., 1992

 Item
Identifier: CC-26376-26843
Scope and Contents

This exhibition by Africa (Sergei Bogaev), a Russian artist whose oeuvre consists of puns and alterations of "classic" Russian Avant Garde works of art, was curated by Louis Grachos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

[Untitled] / Andre, Marie-Sophie., 1982

 Item
Identifier: CC-25687-26147
Scope and Contents

Andre altered a trade edition book of photographs by drawing on the photographs and cancelling the text with paint. A statement of Andre's philosophy is included in the catalogue, "Italian Artists' Books," 2000. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

[Untitled] / Bertini, Gianni ; Xuriguera G., 1989

 Item
Identifier: CC-21537-21948
Scope and Contents The introduction of this catalogue was written by Gerard Xuriguera. Wikipedia: Gianni Bertini (1922-2010) From 1947, he produced abstract painting. In 1950 , he moved to Milan and made stain painings that were exhibited in October 1951 at the Galleria Numero in Florence which constituted the first examples of "nuclear art." Returning to Paris, he had his first solo exhibition (Arnaud Gallery) held in May 1952. From 1954 , he participated in the Salon de Mai. In 1957 , he was part of the "imaginary spaces" proposed by group Restany. He traveled extensively throughout Europe with solo exhibitions in Brussels , Copenhagen , Schiedam , Amsterdam. He moved to the United States where he worked with the Gres Gallery in Chicago. In 1961, he was invited to the Konsthall in Lund ( Sweden ) for a major retrospective which is then resumed at the Palais des Beaux-Arts in Brussels. It is close to the New Realism and 1962 exhibited at the Galerie J "real country." He uses photographic...
Dates: 1989

Untitled / Bo Kristiansen., 1989

 Item
Identifier: CC-07782-7934
Scope and Contents

Artist incised stenciled letters on the cylindrical form prior to firing the clay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

[Untitled] / Bory, Jean-Francois., 1985

 Item
Identifier: CC-22410-22833
Scope and Contents

Contains essay by Alain Borer "Jean-Francois Bory L'Anachiviste." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

[Untitled] / Bory, Jean-Francois., 1985

 Item
Identifier: CC-23116-23554
Scope and Contents

Contains essay by Alain Borer "Jean-Francois Bory L'Anarchiviste." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985