This manifesto was presented at the pop-up artist book exhibition at Books & Books in Coral Gables, Florida. -- Source of annotation: Marvin or Ruth Sackner.

Many of these loose sheets, some printed in the early sixties, were used as labels for Fluxus boxes. -- Source of annotation: Marvin or Ruth Sackner.

The following works depicted in this book are held by the Sackner Archive: "Les Mots en Liberte Futuriste" by Marinetti, "BIF&ZF+18" by Soffici, "Karawane" by Hugo Ball, "Dada Almanach," "Der Dada," "Program for a Dada-Soiree" by Schwitters, "Ledentu le Phare" by Iliazd with collage cover by Gronowsky, "Die Kunstismen" by Lissitzky, and "Utopia" by Itten. -- Source of annotation: Marvin or Ruth Sackner.

Above the densely typed silvester signature is a small typed apple. -- Source of annotation: Marvin or Ruth Sackner.

Each line of J. Bory's poem refers to an artist by name and makes reference to a major attribute or aspect of his art. -- Source of annotation: Marvin or Ruth Sackner.

This is one of the most outstanding, lavishly conceived, books in the Sackner Archive. Only the first 10 copies include the painted folder of which the Sackner copy is one of them. -- Source of annotation: Marvin or Ruth Sackner.

Guillermo Deisler was born in 1940 and died in 1995. -- Source of annotation: Marvin or Ruth Sackner.

Near the title page, special thanks are printed mentioning Ruth and Marvin Sackner and others for their support of this book. -- Source of annotation: Marvin or Ruth Sackner.

This unsigned print was probably done while Roth was working as a graphic designer in 1960 at the advertising agency of Karl Gerstner and Markus Kuttner in Basel. It was part of a portfolio of 8 prints purchased from Larry Wallrich in Toronto that are not listed in Roth's major catalogues nor is the Dieter Roth Archive aware of their existence. One signed print (Galerie Stahli in Basel) + 7 unsigned prints were sold by the Sackner Archive to Zucker Art Books in 2010. The unsigned duplicate print from the series of eight has been framed and retained by the Sackner Artchive. -- Source of annotation: Marvin or Ruth Sackner.

Mira's typography is reminiscent of the Textos/Signos works by Clemente Padin held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition displayed examples of international graphic design with emphasis on French designers. -- Source of annotation: Marvin or Ruth Sackner.

The title "Ithaca" is the chapter in Homer's "Odyssey" which corresponds to the chapter on James Joyce's "Ulysses" from which the excerpts appear in this book. The woodcut illustration of James Joyce was made by Tara McLeod. -- Source of annotation: Marvin or Ruth Sackner.

Designated tall books number three. -- Source of annotation: Marvin or Ruth Sackner.

Designated tall books number three. -- Source of annotation: Marvin or Ruth Sackner.

Every other line of poetry is set in Bory's characteristic experimental typography (as used on the page in the golden typwriter held by the Sackner Archive). Kolar's work, which is different for each copy in the run, is a card with a cut out of a cubist woman placed over a card of the Mona Lisa. -- Source of annotation: Marvin or Ruth Sackner.