Skip to main content

Hieroglyphics

 Subject
Subject Source: Sackner Database

Found in 215 Collections and/or Records:

divertimenti on random days: Y234. / Cornelis vleeskens., 2004

 Item
Identifier: CC-43395-45457
Scope and Contents

This booklet attributed to Vleeskens looks like the poems of pete spence, his friend. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

Ecrit en prose ou l'oeuvre hypergraphique. Roman, 1971

 Item
Identifier: CC-31045-32507
Scope and Contents

Roland Sabatier provides an introductory essay. The loose collage in this copy differs in imagery from the other copy of the book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Ecrit en prose ou l'oeuvre hypergraphique. Roman, 1971

 Item
Identifier: CC-31046-32508
Scope and Contents The loose collage in this copy differs in imagery from the other copy of the book held by the Sackner Archive. This copy is a varient in which the metal relief sculpture accompanying the book is separate rather than being bound into the book (& is stored in a flat file drawer). It is signed on the lower right of the board mounting and is numbered 10/14 and dated in the original 1.4.71. It was resigned by Satie "for Ruth and Marvin Sackner Alain Satie '82. According to Arts Libri 154 2010, this work is profusely illustrated. Loosely inserted, as issued, an original collage by Satie of clipped comic book illustrations, hand-torn text, and elaborate original ink drawing, mounted on Arches, and signed and numbered (as part of the edition) in pencil. Edition limited to 30 copies on velin d'Arches, signed and numbered by Satie in the justification, of which this is an unspecified edition de tete: one of a few copies with a unique sculpture a spray-painted metal construction by Satie,...
Dates: 1971

Ecrit En Prose ou L'Oeuvre Hypergraphique. Roman, 1971

 Item
Identifier: CC-39616-41575
Scope and Contents

In Visualog 2. The Sackner Archive holds two signed and numbered copies of this book, each with a collage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Exuvies / Nadau, Jean-Pierre., 2002

 Item
Identifier: CC-45321-47508
Scope and Contents

Each page depicts a grid of Mayan-like glyphs. Exuvie means layers of skin or cuticle shed by animals during ecdysis - from the Latin: something stripped off the body. This copy is from the trade edition; 88 copies were accompanied with an original pictogram. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Fegato Bronzeo Etrusco di Piacenza / Anonymous., 1987

 Item
Identifier: CC-24437-24889
Scope and Contents

Reproduction of an Etruscian bronze depicting the liver and gall bladder found in 1877 in Piacenza. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Fegato Bronzeo Etrusco di Piacenza / Anonymous., 1987

 Item
Identifier: CC-24437-24889
Scope and Contents

Reproduction of an Etruscian bronze depicting the liver and gall bladder found in 1877 in Piacenza. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

[Figure Speaking] / Baker, Carlyle., 1991

 Item
Identifier: CC-23284-23724
Scope and Contents

The image consists of human-like figure who is speaking in comic strip style in a symbolic language. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Forms of Communication / Eller, Evelyn., 1997

 Item
Identifier: CC-34595-36294
Scope and Contents

Each page of this book depicts a different form of communication: hieroglyphs, music, Braille, mathematics, language and the manual alphabet for the deaf that has been assembled from printed materials. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Grand Testaments et ceramiques avec du signes Pessenois / Pessin, Marc., 1998

 Item
Identifier: CC-46591-49321
Scope and Contents

This work represents photographs of Pessin's objects and wall work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

[Hieroglphics] / Quentin, Bernard., 1947

 Item
Identifier: CC-03735-3806
Scope and Contents

The hieroglyphics and interspersed letters are laid out in a form of a text. It anticipates visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1947