Harris's calligraphic drawings are reminiscent of those done by Brion Gysin. -- Source of annotation: Marvin or Ruth Sackner.

The image is a densely packed arrangement of varied shaped and sized words and hieroglyphics.. -- Source of annotation: Marvin or Ruth Sackner.

Sian Ka'An signifies Mayan words for the "birth of the sky". -- Source of annotation: Marvin or Ruth Sackner.

pete spence is the owner of Look! Poetry! -- Source of annotation: Marvin or Ruth Sackner.

For a discussion of the graphic designer, Jochen Stankowski, see Baseline No.37. -- Source of annotation: Marvin or Ruth Sackner.

Klonsky prints Englsh translations with the same typographic layouts as the original poems: Mallarme's Un Coup de Des and Apollinaire's calligrammes. On page 280, Klonsky reproduces a Gerz visual poem, "The Tree of the Silent Majority;" the original collage is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Klonsky prints English translations with the same typographic layouts as the original poems: Mallarme's Un Coup de Des and Apollinaire's calligrammes. On page 280, Klonsky reproduces a Gerz visual poem, "The Tree of the Silent Majority;" the original collage is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Print is composed of nine dark blue metallic hieroglyphics arranged as a 3 x 3 grid; they are printed with by the intaglio process on medium blue colored papercard. -- Source of annotation: Marvin or Ruth Sackner.

The iconography is similar to the Swiss artist, Werner Hartmann. -- Source of annotation: Marvin or Ruth Sackner.

In a lengthy essay, Allen Katzman provides the documentation and analysis of Kern's poems. The combination of the presentation of this essay and Kern's performance of Text of Amen was presented at the Atlantis Rising 3rd Annual World Healing Symposium in 1981 at Giza, Egypt. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition. The first edition was also published in 1973. -- Source of annotation: Marvin or Ruth Sackner.

Also known as The Papyrus of Ani, the text was written and illustrated c.1250 B.C.E. by unknown artists and scribes. Chiefly concerned with the after life, the book is a guide to the next world and was part of a larger body of religious literature, a product of a polytheistic culture. Word, image and reality are united in Egyptian thought and "text and scene seemingly engage in constant conversation." The scroll was discovered in Egypt in 1888, cut and mounted on board and sent to The British Museum. -- Source of annotation: Marvin or Ruth Sackner.

Also known as The Papyrus of Ani, the text was written and illustrated c.1250 B.C.E. by unknown artists and scribes. Chiefly concerned with the after life, the book is a guide to the next world and was part of a larger body of religious literature, a product of a polytheistic culture. Word, image and reality are united in Egyptian thought and "text and scene seemingly engage in constant conversation." The scroll was discovered in Egypt in 1888, cut and mounted on board and sent to The British Museum. -- Source of annotation: Marvin or Ruth Sackner.

This book is a trade edition facsimile of an original book (1985) made and held by Ely based on the notebook of the artist's grandfather written on a trip to Egypt in 1928. Ely created this stunning book with his personal language, maps, charts, continents and astrological/hieroglyphic symbols. The Sackner Archive holds several of Ely's original bookworks. -- Source of annotation: Marvin or Ruth Sackner.