This book of Haikus was illustrated by Jon Vlakos and includes an introductory essay by LeRoy Gorman. -- Source of annotation: Marvin or Ruth Sackner.

The calligraphic text in the acquatints by Cortot alternates with the printed text of Butor. -- Source of annotation: Marvin or Ruth Sackner.

Surrealistic ceramic object on cover was made by Susana Wald. The collages used to illustrate this book were composed by Ludwig Zeller. -- Source of annotation: Marvin or Ruth Sackner.

d.a levy (1963) did the cover design as well as 13 abstract, semi-realistic figurative and bimorphic, brown watercolor, picture poems to illustrate this book. The book stored in d.a. levy box (1963). -- Source of annotation: Marvin or Ruth Sackner.

The illustrations consist of dense clusters of letters and words printed with several type faces and spacings. It starts as an incomprehensible mound of dropped type which gets smaller on each page as letters are selected to tell a story, set above in neat lines, bringing order out of chaos, -- Source of annotation: Marvin or Ruth Sackner.

The illustrations consist of dense clusters of letters and wordsprinted with several type faces and spacings. It starts as an incomprehensible mound of dropped type which gets smaller on each page as letters are selected to tell a story, set above in neat lines, bringing order out of chaos. -- Source of annotation: Marvin or Ruth Sackner.

bp Nichol was the proprietor of Seripress. -- Source of annotation: Marvin or Ruth Sackner.

This book was bound by P.L. Martin in 1974. -- Source of annotation: Marvin or Ruth Sackner.

Sims Reed: This is an innovative collaboration between Iliazd and Raoul Hausmann, one of the principal protagonists of Berlin Dada and a pioneer of phonetic and visual poetry. The preface consists of a 'Hommage illettre d'Iliazd à Raoul Hausmann': 'Je suis fier de vous rendre hommage en disposant vos poemes et vos bois ou en tenant le plioir comme une plume.'. 'The typographic layout echoes the forms in the woodcuts, suggesting an architectonic underpinning to the very essence of the work. Poems and images seem to have the same skeletal foundation to their morphology, as a result showing two aspects of a single work.' (Johanna Drucker, Iliazd and the Art of the Book). Some water staining on cover, foxing on inside pages. -- Source of annotation: Marvin or Ruth Sackner.

The cover and three prints were made by d.a.levy who also printed this booklet. Stored in levy box 7 flowers press. -- Source of annotation: Marvin or Ruth Sackner.

This book was published by d.a. levy who printed a letter from Wyatt to himself. The cover and each of the left sided facing pages depicts a "doodle" drawing by DagmaR. In this book the name Dagmara instead of DagmaR was used. -- Source of annotation: Marvin or Ruth Sackner.

The text of this mythical tale of an innkeeper who saws the legs short if the guest is too long for his/her bed and streches the guest's legs if they are too short to fit the bed was handwritten by Cremean and then printed letterpress on a blank sheet of paper and in fragments across the embossed area of the print. The prints were embossed through the application of a unique relief, realistic sculpture. The edition was printed by Bill Kelly and Michele Burgess. -- Source of annotation: Marvin or Ruth Sackner.

Emil Antonucci illustrated several of Robert Lax's books. -- Source of annotation: Marvin or Ruth Sackner.

The loose print accompanying the book is numbered 49/60. The semirealistic, handcolored drawings depict characters in the poem. -- Source of annotation: Marvin or Ruth Sackner.

This book was edited by Pieter Brattinger. -- Source of annotation: Marvin or Ruth Sackner.