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Logograph

 Subject
Subject Source: Sackner Database

Found in 58 Collections and/or Records:

Idee Sur Une Asphyxie Technologique [Encre de chine] / Xenakis, Constantin., 1971 - 1972

 Item
Identifier: CC-54023-62337
Scope and Contents

This work is depicted in an exhibition catalogue held by the Sackner Archive, Tecken, page 105 and also in '15 and d'art semiotique.. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971 - 1972

Il Coure della Consumatrice Ubbidente (Coca) / Bentivoglio, Mirella., 1976

 Item
Identifier: CC-20918-21327
Scope and Contents

This print is based upon a larger silkscreen multiple on steel done in 1975. It depicts the logo of coca-cola with the word "oca" in its middle; the Italian word "oca" means "silly goose" in English. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Le Monde Comme Il Va / Deisler, Guillermo., 1976

 Item
Identifier: CC-29589-30959
Scope and Contents

Each of the nine works in this small book contains the same global symbol for the world incorporated into the design. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Logo, Font & Lettering Bible / Cabarga, Leslie., 2004

 Item
Identifier: CC-42669-44687
Scope and Contents This is a source book for designing logos, fonts and lettering including low and high design. the graphic artist, designer and signer. Fred Showker, Design-Bookshelf.com comments as follows. The publisher is hyping this book as a Logo book. Their pitch says: "This book-a hands-on guide to the entire logo-making process-combines an enjoyable visual approach with extensive, industry-tested information." And all that's true. However I wonder if the writers for How Design Books have ever done lettering or desinged a logo. I don't think so by the level of excitement in their releases. No, this is not all together about just logos, fonts and lettering; this is about the very soul of an art, a design discipline, and a fine craft. This is about the way creative people think and react to visual stimuli. This is about the most visually exciting and inspiring book for graphic designers to come along in long, long time. In fact, I cannot remember any that really come close. -- Source of...
Dates: 2004

Logogramas [LOGO - G R - AMAS] / Xisto, Paulo., 1966

 Item
Identifier: CC-54555-62359
Scope and Contents

The translationof the break-up of the title according to Xisto is as foilows: LOGO = SOON [or hence]. G R [G = ruido na communicacao] R [communication's noise] AMAS = YOU LOVE]. Each page of this book depicts a single concrete poem. The poem "EPITHALAMIUM IV" depicted in this book in an enlarged print version is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Logotipo para Burocracia / De Araujo, Avelino., 1994

 Item
Identifier: CC-60529-10003440
Scope and Contents

Taken from Archiveof O!!Zone 1996. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

[Map of United States Based on Places where Automobiles have been Manufactured] / Moss, Brian., 2004

 Item
Identifier: CC-43265-45324
Scope and Contents

The map of the United States is formed from popular names in their typographic forms of car models in places where they were manufactured. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

[maquette affiche] / Hubaut, Joel., 1989

 Item
Identifier: CC-08715-8888
Scope and Contents

This painted self portrait is a maquette for a poster announcing Hubaut's exhibition at Centre Cultural, Cherbourg March/April, 1989. The poster is also held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Maquette Logo C.R.L. Centre Regional des Letters Normadie / Hubaut, Joel., 1996

 Item
Identifier: CC-27536-28604
Scope and Contents

The logograph depicts Hubaut's hieroglyphics in his typical personal style. Six panels are lined up as a vertical column. The size of the hieroglyphics is micrographic at the top and enlarges to a readable size at the bottom. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996