Picture poetry
Found in 1790 Collections and/or Records:
As A Cloud, Geof Hendricks Is Invisible / Hendricks, Geoff., 1970
As a Tall Poets by the Lake / Biro, Jozsef., 2002
As a Tall Poets by the Lake / Biro, Jozsef., 2001
As if it was still morning / Clark, Thomas A.; Foolen, Peter., 2000
The color photograph of this card taken by Peter Foolen depicts a river bridge scene with people and a flag labeled with the title of the poem. -- Source of annotation: Marvin or Ruth Sackner.
Askew / Golden, Alisa., 1989
At the Field's Edge (1) / Finlay, Ian Hamilton; Manduca, John Borg., 1976
The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary hut." The poem is printed on the bottom of the back page. -- Source of annotation: Marvin or Ruth Sackner.
At the Field's Edge (2) / Finlay, Ian Hamilton; Manduca, John Borg., 1976
The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." This copy is neither signed nor numbered and probably represents an acceptable proof copy. -- Source of annotation: Marvin or Ruth Sackner.
At the Field's Edge (3) / Finlay, Ian Hamilton; Manduca, John Borg., 1976
The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." The drawing is structured over a Finlay work "sea ms." -- Source of annotation: Marvin or Ruth Sackner.
Attack Letter-Dart / Finlay, Ian Hamilton; Sloan, Nicholas., 1983
Auch Ich War In Arkadien / Finlay, Ian Hamilton., 1978
The title translated to English: 'Things were even worse than this in Arcady.' -- Source of annotation: Marvin or Ruth Sackner.
Autumn / Finlay, Ian Hamilton; Duncalf, Stephen., 1993
Autumn Greetings / Black, Leda., 1997
b oats / Finlay, Ian Hamilton., 1998
Back Down / Hirschman, Jack A.., 1990
Book relates to dreams about television images. -- Source of annotation: Marvin or Ruth Sackner.
Bal des Victimes / Finlay, Ian Hamilton; Hincks, Gary., 1989
The print depicts a combination of red and black typewriter ribbons unspooled from two spools. -- Source of annotation: Marvin or Ruth Sackner.
Bare Stream Racing like a Bugatti / Finlay, Ian Hamilton; Gillanders, Robin., 1996
The image on this card is a black and white photograph taken by Gillanders of a flowing stream between grass banks. -- Source of annotation: Marvin or Ruth Sackner.
Bark / Finlay, Ian Hamilton; Ballantyne, David., 1977
These are preparatory drawings for a plaque to be mounted on a tree. Comments written on these drawings explain the artist's intent. -- Source of annotation: Marvin or Ruth Sackner.
Baseline 27 / Viera, Mary., 1999
Basta / Finlay, Ian Hamilton; Heartfield J; Millet C., 1988
The image is a photocollage by Heartfield depicted the Nazi Swatstika formed by four axes. The caption quotes Catherine Millet, editor of Art Press Paris, who was highly critical of Finlay's work for the city of Paris, "I saw a work, I saw Nazi signs carved on it, basta..." -- Source of annotation: Marvin or Ruth Sackner.
Bath Roundels / Finlay, Ian Hamilton; Oliver, George., 1973
Bath roundel indicates stopper of drain in bathtub and in this photograph by Oliver a model airplane bomber appears to be dropping this object into the drain. -- Source of annotation: Marvin or Ruth Sackner.