Picture poetry
Found in 1790 Collections and/or Records:
Christmas 1993 (After John Flaxman R.A.) / Finlay, Ian Hamilton; Hincks, Gary., 1993
John Flaxman (175-1826) was a British-born Swedenborgian sculptor, painter, designer and illustrator. -- Source of annotation: Marvin or Ruth Sackner.
Christmas 2003: Of Flutes & Wild Roses / Finlay, Ian Hamilton., 2003
Christmas / Fidler, Martin; Cutts, Simon., 1973
Christmas / Holiday Broadside: An Arabesk for Frederick Delius at the Year's End. No.3 / John Furnival ; Jonathan Williams., 1981
This is a Christmas broadside from The University Libraries with drawing by Furnival and poetry by Williams. The title of this series was later changed to Holiday Broadside. The edition consists of 50 numbered and signed copies. The Sackner copy is signed but unnumbered. -- Source of annotation: Marvin or Ruth Sackner.
Christmas / Holiday Broadside: I asked the Master of Shadows. No.6 / Michael Palmer ; Irving Petlin., 2002
Irving Petlin's image reproduced on the inside front cover is a pastel on paper work. -- Source of annotation: Marvin or Ruth Sackner.
Christmas / Holiday Broadside: something about flowers. No.4 / Kent Taylor ; da levy., 2002
d.a.levy's painting reproduced on the inside front cover is an oil on paper image of a picture poem. -- Source of annotation: Marvin or Ruth Sackner.
Christmas / Holiday Broadside: something about flowers. No.4 / Kent Taylor ; da levy., 2002
d.a.levy's painting reproduced on the inside front cover is an oil on paper image of a picture poem. -- Source of annotation: Marvin or Ruth Sackner.
Christmas Rose / Finlay, Ian Hamilton., 2001
Citron Bleu / Finlay, Ian Hamilton; Hincks, Gary., 1994
Image was taken from a detail of a painting by William Gillies. -- Source of annotation: Marvin or Ruth Sackner.
Citron Bleu / Finlay, Ian Hamilton; Hincks, Gary., 1994
Image was taken from a detail of a painting by William Gillies. -- Source of annotation: Marvin or Ruth Sackner.
Claire's 'Journey Out of Essex' / Clark, Thomas A. ; Clark L., 1977
(Classical) landscape, n. / Finlay, Ian Hamilton; Lindsley, Kathleen., 1996
The image on the card is a graphite landscape drawing. The definition of (Classical) landscape written by Finlay, reads, a stand of concepts. -- Source of annotation: Marvin or Ruth Sackner.
Classical/Neoclassical / Finlay, Ian Hamilton; Hincks, Gary., 1987
The classical image is of a six layer cake; the image of neoclassical is of six stacked drums. In each picture, the sizes of each layer become progressively smaller from botton to top. The cake probably refers to Marie Antoinette's pre-revolutionary statement, "Let Them Eat Cake!" and the drums refer to the French revolution. -- Source of annotation: Marvin or Ruth Sackner.
Claude Has Come into the Garden, 1974
Depicts a drawing of Claude Debussy standing at the front of a labyrinth, with architectural renderings at the left, parts of Debussy's music in the clouds, and a bat in storm clouds at the top right. -- Source of annotation: Marvin or Ruth Sackner.
Clearspring / Herms, George., 1967
Several of the love poems in this suite deal with Herms' wife at the time. One of the picture/poems has a mesostic that spells Louise, her name. The typography utilized for the poems on these prints is varied. -- Source of annotation: Marvin or Ruth Sackner.
Clinker Built (529 DE) / Finlay, Ian Hamilton., 1997
Clinker Built / Finlay, Ian Hamilton; Hincks, Gary., 1997
The card depicts the number, "529.DE" in light blue with its letters fractured from painting upon the slats of the blue, boat hull. -- Source of annotation: Marvin or Ruth Sackner.
Clinker Built / Finlay, Ian Hamilton; Hincks, Gary., 1997
The card depicts the phrase, "Clinker Built" in black outlined, white letters with a fractured appearance from being drawn upon the slats of the boat hull. -- Source of annotation: Marvin or Ruth Sackner.
Close-up. Rooksmoor / Furnival, John., 1994
Rooksmoor is the name of Furnival's house/village. The image depicts a black and white rendition of a Lungwort that was adapted from a watercolor sent to the Sackners as part of a letter (1991) from Furnival. In The Locative and Vocative Case. -- Source of annotation: Marvin or Ruth Sackner.
Cloud Board / Finlay, Ian Hamilton., 1970
In this photograph of a sculpture, Finlay uses leaves floating in a bowl as a metaphor for clouds. The word "cloud" is engraved on a stone with a hand pointed downward to the leaves and upwards to the sky. -- Source of annotation: Marvin or Ruth Sackner.