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Picture poetry

 Subject
Subject Source: Sackner Database

Found in 1790 Collections and/or Records:

Haiku: Words and Art / Barancik, Bob., 1994

 Item
Identifier: CC-23807-24255
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Hand Book / Collins, Patricia., 1998

 Item
Identifier: CC-35190-36924
Scope and Contents

All the images in this book are hands captioned with text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets

Handley Page Heyford / Finlay, Ian Hamilton; Hincks, Gary., 1978

 Item
Identifier: CC-12037-12260
Scope and Contents

The card depicts a WWI fighting air plane on its upper half and a sailing barge on its lower half. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Hanky Panky / Crombie, John ; Bourne, Sheila., 1979

 Item
Identifier: CC-60093-10003112
Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Happy Bicentennial / Padin, Clemente., 1976

 Item
Identifier: CC-47187-49930
Scope and Contents

This book deals with making of a bomb to celebrate the bicentennial anniversary of the founding of the United States. Following this publication, there is a gap in Padin's artistic activities sice he was in prison from 1977-1979 for his artistic activities by the disctatorship at that time and was unable to resume his activities until 1984. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

happy fuck a llama day - the foghorns of the barges / levy, d.a.., 1965

 Item
Identifier: CC-33537-35187
Scope and Contents

The image accompanying this poem is an abstraction of a barge (on the Cayuga river flowing through Cleveland) with musical notes eminating from its foghorn. The poem refers to the fact that the river caught on fire because of heavy pollution near the time the poem was written. The title of the poem is "the foghorns of the barges" and reads, sing to me mournful - sing to me mad - sing to me mist and magic - and everyone else as the city sneaks out of the haze - we laugh and throw firecrackers at it." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Happy Holloween / Freeman, Jane., 1987

 Item
Identifier: CC-12691-12934
Scope and Contents

Freedman collaged a black cat onto the background of a Motherwell painting, Black in Hiding (1976). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Happy Picnics in Snowdrop-Time / Van Horn, Erica; Cutts, Simon., 1991

 Item
Identifier: CC-00787-806
Scope and Contents

The cover depicts an image of a picnic basket and the title of this work is the caption for it. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Harlequin (Detail) / Finlay, Ian Hamilton; Torok, Karl., 1974

 Item
Identifier: CC-11993-12216
Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Harvester PD98 / Finlay, Ian Hamilton; Hincks, Gary., 1996

 Item
Identifier: CC-35227-36961
Scope and Contents

The image on this card reproduces a stamp for the exhibition, "Imagined Lands" at the City Art Centre in Edinburgh, 1996. It depicts the name of an old fishing boat and the new European Union type of fishboxes as a comment on the decline in the national fisheries. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Hash Browns & Toast / Golden, Alisa., 1984

 Item
Identifier: CC-10434-10638
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Hatband/Landscape / Roberts, Kay; Cutts, Simon., 1973

 Item
Identifier: CC-33222-34852
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Haute Fidelite / Levy, Miller., 1998

 Item
Identifier: CC-34987-36706
Scope and Contents

This is a painting related to the sculpture by Levy that is also held by the Sackner Archive. The painting was done over a color photograph transmitted by e-mail. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Haute fidelite (l'homme l'femme) / Levy, Miller., 2004

 Item
Identifier: CC-43733-45823
Scope and Contents

This is a reproduction of a painting held the Sackner Archive. This painting also is related to the sculpture by Levy that is held by the Sackner Archive. The painting was done over a color photograph transmitted by e-mail. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

he loves her: Valentine / Finlay, Ian Hamilton; Hincks, Gary., 1992

 Item
Identifier: CC-12262-12486
Scope and Contents

The back cover of the card reads, "Valentine." The flower at the beginning of each phrase of the poem is depicted in frontal view. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Head / Depew, Wally., 1990

 Item
Identifier: CC-55166-999863
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Head-Ley / Finlay, Ian Hamilton., 1987

 Item
Identifier: CC-35583-37327
Scope and Contents

Gywn Headley, the author of "Follies, A National Trust Guide," made disparaging comments about Finlay's Temple Garden. In this card, Finlay depicts a guillotine scene with a severed head. The author's name is printed on the image as two parts, "head" referring to the severed head and "ley" meaning law. The image is captioned with "Terror is the piety of the Revolution." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Head of Gwyn Headley / Finlay, Ian Hamilton., 1987

 Item
Identifier: CC-12125-12349
Scope and Contents

Gywn Headley, the author of "Follies, A National Trust Guide," made disparaging comments about Finlay's Temple Garden. The image depicts a bust of his severed head held by a human hand. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Head of the Dead Marat / Finlay, Ian Hamilton; Hincks, Gary., 1987

 Item
Identifier: CC-12396-12622
Scope and Contents The image was taken from the painting by Jacques-Louis David. Wikipedia 2011: During the constitutional monarchy, there were two radical groups vying for power, the Girondins and the Jacobins. Although both groups were more radical in their views than the moderates who had designed the constitutional monarchy, the Girondins were somewhat less radical. In late 1791, the Girondins first emerged as an important power in France. At first the two parties were united in their views. The Girondins were concerned about the plight of the blacks in France's colonies and were instrumental in passing legislation granting equal rights to all free blacks and mulattoes. They wanted the declaration of war against Austria in early 1792 in the hopes that a show of strength would give them leverage with the King. The Jacobins grew increasingly critical of Girondin policies. During the September massacres later that year, the Girondin leaders tried to persuade the crowds out of their bloody attacks....
Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Head of Waldemar Januszczak / Finlay, Ian Hamilton., 1987

 Item
Identifier: CC-12124-12348
Scope and Contents

Januszczak was an art critic for the Guardian newspaper who wrote unkindly of Finlay. The image depicts a bust of his severed head held by a human hand. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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