Picture poetry
Found in 1790 Collections and/or Records:
...in which something happens all over again for the very first time / Evans, Cerith Wyn., 2006
There is a large section in this book of stories printed with experimental typography. Evans is an installation artist who exhibited in the famous Sensations show in London. -- Source of annotation: Marvin or Ruth Sackner.
Inauguration of the orchard - Replenishment of the larder / Finlay, Ian Hamilton., 1996
The booklet is arranged such that one reads through the first poem, Orchard, and then reverses the booklet to read through the second poem, Larder. Orchard is printed on green colored paper and larder on orange colored paper. With a single word to a page, Orchard reads, Apple, Pear, Cherry, Plum, Tree, whereas Larder reads, Apple, Pear, Cherry, Plum, Jam. -- Source of annotation: Marvin or Ruth Sackner.
Infinite / Depew, Wally., 1990
Information Series One: Beano. No.12, 1983
A photograph of Beano is laid in on the inside back cover and a caption on the inside front cover notes that this man, who was a performer in Ripley's "Believe It or Not Show," had perfect control over his vascular circulation so that he could stop blood flow even when purposely cut. -- Source of annotation: Marvin or Ruth Sackner.
inner inSights, 2005
Innuendo / Carroll, Lewis., 1990
This is a spoof (author unknown) on a book written by Lewis Carroll in 1922. -- Source of annotation: Marvin or Ruth Sackner.
Inscription / Finlay, Ian Hamilton., 1992
The poem lists the life span and popular names for five Japanese WWII airplanes, e.g., PETE 1946-1945 (Mitsubishi F1M, Navy Type 0 Observation Seaplane). The cover depicts photograph of one of these airplanes. -- Source of annotation: Marvin or Ruth Sackner.
InstaBook: Team Evil. No.1 / Bill Fick., 2004
Installation / Finlay, Ian Hamilton., 1989
The drawing on the cover depicts a guillotine with the blade up over a basket and is titled Installation; the drawing on the verso is a guillotine with the blade down over a basket and is titled Event. -- Source of annotation: Marvin or Ruth Sackner.
Instruments of Revolution / Finlay, Ian Hamilton ; Bann S., 1992
Photographs of bronze sculptures in the exhibition were collaged onto the pages. The catalog was designed by Finlay, Pia Simig, and Paul Khera. The photographs were taken by Antonia Reeve and Stephen White. Stephen Bann contributes an essay that describes and analyzes each work in the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Integrale / Pannaggi, Ivo., 1970
The theme of this poem deals with women's deodorants. -- Source of annotation: Marvin or Ruth Sackner.
Interior/Interieur: Homage to Vuillard / Finlay, Ian Hamilton; Harvey, Michael., 1971
Irish Lecture Series: Samuel Beckett, 2006
The image on this poster is a reproduction of a portrait by Tom Phillips entitled "Samuel Beckett at the Riverside Studio." -- Source of annotation: Marvin or Ruth Sackner.
Iron Ship / Finlay, Ian Hamilton; Gardner, Ian., 1972
The image depicts an ironing instrument on its side as a metaphor for a ship. -- Source of annotation: Marvin or Ruth Sackner.
Isis Slices / Moskovitz, Jack., 1991
It Moves (from Brambu Drezi) / Berry, Jake., 1993
Jacobin Definitions / Finlay, Ian Hamilton ; Lindsley, Kathleen., 1991
Jacob's Boat / Finlay, Ian Hamilton., 1996
The pages describe the boat with a grid of words that signify colors, e.g., green, brown, black, and ochre. The last page has a grid of the word, patch. -- Source of annotation: Marvin or Ruth Sackner.
Jamboree!? / Finlay, Ian Hamilton; Fidler, Martin., 1975
This depicts a drawing of several model gliders arranged haphazardly on a surface. The commericial card was unrealized. -- Source of annotation: Marvin or Ruth Sackner.
Januszczak / Finlay, Ian Hamilton., 1989
Januszczuk was the art critic for the Guardian newspaper who supported the National Trust's book on architectural follies that was severely critical of Finlay's Temple Garden. -- Source of annotation: Marvin or Ruth Sackner.