The print depicts a drawing of a tree barren of leaves, presumably in the Furnival's house in southern France that is captioned "What sort of Job!" -- Source of annotation: Marvin or Ruth Sackner.

This print depicts an image of an aged but still sharp-edged guillotine blade inscribed with a Latin line from Virgil's Aeneid. -- Source of annotation: Marvin or Ruth Sackner.

This poem deals with recycling paper to preserve the environment. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Damian Lopes. -- Source of annotation: Marvin or Ruth Sackner.

This book was issued on the awards presentation at Ludwig Forum fur Internationale Kunst, Aachen, on December 11, 1998. -- Source of annotation: Marvin or Ruth Sackner.

A large grainy photographic portrait of Eric Satie is the center image with the words "Real I" drawn in three dimensions at the top and "Sing" at the bottom. The title can also be pronounced "realizing." -- Source of annotation: Marvin or Ruth Sackner.

The message deals with enlisting help for Finlay's despute with the local tax collectors. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is orange. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is brownish-purple. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is greenish-gray. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is orange-brown. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is gray. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is red-orange. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a suite of seven prints, which are almost identical in layout, except for orientation of the abstract markings, lines which are cross-hatched or solid and colors of background. The background color of this print is grayish-green. The symbolism of this picture poem is not clear to one who is not knowledgeable about sailing boats. -- Source of annotation: Marvin or Ruth Sackner.