Picture poetry
Found in 1790 Collections and/or Records:
White Blossom in a Strong Wind / Finlay, Ian Hamilton; Hincks, Gary., 2000
The etching or woodcut black and white image on the card cover by Hincks appears to be a scene taken from Finlay's Little Sparta garden. -- Source of annotation: Marvin or Ruth Sackner.
Whitewall of Sound: The Machinery of State - 20th Century U.S. Presidents. No.15 / Jim Clinefelter., 1996
Each President is characterized by a photographic reproduction of an industrial metal working machine. The back cover records the following anonymous quote, "every few years, they change one of the gears...but the contraption still runs the wrong way." -- Source of annotation: Marvin or Ruth Sackner.
Who Owned The Last Norfolk Wherry / Finlay, Ian Hamilton; Harvey, Michael., 1974
The card depicts a drawing of a Norfolk Wherry (type of sailship) with its sails and hull reflected in the water. The title posing the question is printed on four leaves of the card. Beneath this text as a metaphor for relection on water, the answer is provided in upside down lettering, Messrs. Woods Sadd & Moore. -- Source of annotation: Marvin or Ruth Sackner.
Whoever broke my children into pieces / Huth, Geof., 1993
Whoever broke my children into pieces / Huth, Geof., 1996
Wild Flower / Finlay, Ian Hamilton; Hincks, Gary., 1992
Image is a British Navy "Flower" class corvette in a storm. -- Source of annotation: Marvin or Ruth Sackner.
Wild Hawthorn Weapon Series: Cherry Stones / Finlay, Ian Hamilton; Paterson, Dave., 1975
The card depicts a photograph of models of two V1 rockets employed by the Germans in World War II and the caption refers to the name of the German project to build these rockets, viz., Kirschkern (Cherry Stone). -- Source of annotation: Marvin or Ruth Sackner.
Wild Hawthorn Weapon Series No.2: Homage to Max Bill / Finlay, Ian Hamilton., 1974
The card depicts a photograph of a military tank with its two cannons pointing upwards, a metaphor for the constructivistic art of Max Bill. -- Source of annotation: Marvin or Ruth Sackner.
Wild Hawthorn Weapons Series: No.1 (O'Erlikon) / Finlay, Ian Hamilton; Goodricke, Susan., 1973
Wild Hawthorn Weapons Series: Saint-Just Vigilantes Celebrate a Direct Hit / Finlay, Ian Hamilton., 1987
Image refers to Finlay's disagreement with Headley and Meulenkamp of the National Trust. -- Source of annotation: Marvin or Ruth Sackner.
Wildflower, n., A Mean Term between Virtue and Revolution / Finlay, Ian Hamilton; Hincks, Gary., 1993
The title signifies the ambiguity of the French revolution. -- Source of annotation: Marvin or Ruth Sackner.
Wildflower, n. / Finlay, Ian Hamilton; Hincks, Gary., 1992
Willliam Jay / Smith, William Jay., 1959
Wind in Ripe Barley / Finlay, Ian Hamilton; Hincks, Gary., 2000
The etching or woodcut black and white image on the card cover by Hincks appears to be a scene taken from Finlay's Little Sparta garden. -- Source of annotation: Marvin or Ruth Sackner.
Wind Owl Window Howl Haiku-Vu, 1992
Windjammer / Finlay, Ian Hamilton; Fidler, Martin., 1975
This drawing depicts the ouline of a propeller driven airplane. -- Source of annotation: Marvin or Ruth Sackner.
Window / Finlay, Ian Hamilton., 1995
The image depicts an impressionist painting of a seascape by P.W. Steer with scattered small whitecaps on the waves. The latter serve as a metaphor for the "Window" in this context which signifies the tin foil strips scattered from aircraft to confuse enemy radar during WW II. -- Source of annotation: Marvin or Ruth Sackner.
Windowmill, 1967
The square-shaped perforation on the card signifies the window element of the title and the shirt button sewn on the card, the wind..mill of the title which is printed as a label on the box. -- Source of annotation: Marvin or Ruth Sackner.