Bob Colacello Internet on Warhol's silkscreen paintings (not discussed in this catalogue): The outline of the face is traced from blow-up of photo negative onto tissue and then tissue is placed over carbon, which is over raw canvas, and retraced by pressing carbon outline onto canvas. Then Warhol slaps paint (acrylic) on with a large brush, more like housepaint brush than artist's brush, rarely cleaning brush, as he switches from area to area and color to color. He also uses hands, especially fingers, to create texture, gesture, blend colors. he doesn't clean hands much either, so colors merge, appear here and there, disappear rather arbitrarily. After it dries the photo negative is silkscreened (by Alex Heinrici at his own studio) and onto the painted canvas." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists examples of artistic ephemeral material (mainly exhibition announcements) for sale in a presentation that is designed with the cover and format like the art magazine, "Artforum" but which is titled "Artform." The annotations include reference to the 1986 catalogue of the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

These three offset lithographs were published by the Stedelijk Museum after the 1964 acrylic on canvas painting in their collection. The images are typical of Lichtenstein's early Pop Art style of borrowing comic strip art as a basis for paintings with backgrounds of Ben Day dots. -- Source of annotation: Marvin or Ruth Sackner.

Canal Street is the title of a series of 50 "sound collages" composed in the 1970's. Each pice blends phrases from the documentation that accompanies the communication devices bought on Canal Street NYC. Each "sound collage" was printed in wood cut type by Gianni Bertini. The five hand colored etchings were made by Bertini.There is water damge to the ouside margin og the pages that has not affected the images. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a drawing of a topless women in a mirror joined by the lower half of her body viewed from the rear. -- Source of annotation: Marvin or Ruth Sackner.

This issue depicts a Carl Andre drawing of a horse. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. The Sackners purchased Wallace Berman's "Composition" (c.1960) at this auction. George Segal's multiple, "Girl on a Chair" (1970), a work held by the Sackners, was offered at this auction. -- Source of annotation: Marvin or Ruth Sackner.

Cavellini juxtaposes photographs on opposing pages of a famous person with one in which he is the subject in a similar pose. -- Source of annotation: Marvin or Ruth Sackner.

The author presents pizzas presented and photographed in the style of the following artists: Picasso, Mondrian, de Chirico, Man Ray, Dali, Miro, Depero, Fontana, Anonymous, Warhol and Kosuth. Fellini along with the collaborators for this book, Enzo Bruno, Giulio Masoni and Anna Rivera are pictured with a pizza silhouette. -- Source of annotation: Marvin or Ruth Sackner.

The Elvis Presley Scrapbook 1982 by Joni Mabe that was lent to this exhibition is depicted on page 165 of this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners lent Joni Mabe's book, "The Elvis Presley Scrapbook" to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Includes article on Romero Britto. -- Source of annotation: Marvin or Ruth Sackner.

The silkscreened print is collaged to inner front cover of the folder. -- Source of annotation: Marvin or Ruth Sackner.

Recounts the history of The Institute of Contempoary Arts, London 1950-1962 with emphasis on the artists who launched the Pop Art movement in England. There are several essays on British artists of this period including John McHale (1922-1978), who made artworks from cut-up newspaper headlines. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for and exhibition of Andy Warhol's Lenin series of portraits, which was his last portrait series completed before his death. -- Source of annotation: Marvin or Ruth Sackner.