Typewriter art
Found in 837 Collections and/or Records:
[monks monks monks] (060963) / Houedard, Dom Sylvester., 1963
DSH has typed five columns with seven lines of the words 'monks' with the following different wods randomley placed: flies, poetry, work, prayer, ? , weather. -- Source of annotation: Marvin or Ruth Sackner.
Montserrat Alberich Escardivol at her Typewriter, 1950
moonblase - 3 crescent increscent (100467) / Houedard, Dom Sylvester., 1967
This work appears to be a preparatory sketch for a sculpture. It is formed from typed dashes and @ characters. This work was exhibited in Force Fields: phrases of the kinetic held at the Museum of Contemporary Art Barcelona in 1999 and the Hayward Gallery London in 2000. The work was selected by the Curator, Guy Brett. -- Source of annotation: Marvin or Ruth Sackner.
Morning in the Indian's Mind / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that his typewritings were influenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by the reading of Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees of pressure to give variations and life to the work." -- Source of annotation: Marvin or Ruth Sackner.
Moyens de pression / Perrin, Renaud., 2011
[m's abstract space for Furnival ](130763) / Houedard, Dom Sylvester., 1963
for jn furnival is typed at the lower left. -- Source of annotation: Marvin or Ruth Sackner.
[m's & diamonds] (140763) / Houedard, Dom Sylvester., 1963
[m's over w's] / Houedard, Dom Sylvester., 1963
Typing m's over w's wil produce a solid square as depicted in this piece -- Source of annotation: Marvin or Ruth Sackner.
[multiple cubes, rectangles & o's] (311266) / Houedard, Dom Sylvester., 1966
This complex structural composition was formed with typed, red and blue dash and joined underline marks. In addition, a small cluster of 'o's was typed onto the foreground. -- Source of annotation: Marvin or Ruth Sackner.
[multiple intersecting planes] / Houedard, Dom Sylvester., 1969
Two black lines of dashes cross the multi-dimensional planes of slashes and dashes with scattered 3333's. -- Source of annotation: Marvin or Ruth Sackner.
[multiple stacks of cubes] (200167) / Houedard, Dom Sylvester., 1967
The images are created with slashes and dashes. -- Source of annotation: Marvin or Ruth Sackner.
MW / Goeritz, Mathias., 1968
The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.
[my dear john & wendy [sharkey] (031165) / Houedard, Dom Sylvester; Sharkey JJ; Sharkey W ; Furnival J; Rawlinson A; Balestrini N; Matthews H., 1965
Houedard writes that it was a pleasure to see the Sharkeys. He discusses the public's conception of monks and their sexual orientation. He also advises John to get in touch with Andrew Rawlisnon and Robert Tait and mentions that John Furnival has been busy making harmonograph machines. He also lists and describes poetry machines made by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.
My Friend's Old Barn In Oregon[CR][River Boat Scene]] / Smith, Paul., 1987
Nahoru a dolu, hloubkove basne, 1991
The French title is "En-haut et en-bas" or "Top and Bottom,"or "High and Low." Each page is a print of Kolar's typogrammes from the 1960's. The pages are cut so that a portion of typing from the following pages become an important part of the composition. Kolar created new configurations with the typewriter that were known as "creations plastiques." The Sackner Archive holds unique typewritten pages that were bound into a unique binding by Pella Erskine Tullock. -- Source of annotation: Marvin or Ruth Sackner.
Nahoru a dolu, hloubkove basne, 1991
The French title is "En-haut et en-bas" or "Top and Bottom,"or "High and Low." Each page is a print of Kolar's typogrammes from the 1960's. The pages are cut so that a portion of typing from the following pages become an important part of the composition. Kolar created new configurations with the typewriter that were known as "creations plastiques." The Sackner Archive also holds nine unique typewritten pages that were bound into a unique binding by Pella Erskine Tullock. -- Source of annotation: Marvin or Ruth Sackner.