This book deals with Chopin's diary notes on the making of his sound poems. He mentions meeting the Sackners on his visit to Miami Beach in 1984. -- Source of annotation: Marvin or Ruth Sackner.

The title in English means to scale over. The text consists of a repetition of the words, morte and death over a Manchester Guardian newspaper image of The Communist leader, Brezhnev whispering into the ear of President Nixon. -- Source of annotation: Marvin or Ruth Sackner.

This letter is a lengthy polemic in which Cobbing argues with Chopin's assertions on contesting the history of sound poetry. He dates and mentions his own performances of sound poetry from his first attempts in 1942. He argues with Chopin on the dating of the works of Heidsieck, Wolman, de Vree, Lockwood, Dufrene, Gysin and Jandl. -- Source of annotation: Marvin or Ruth Sackner.

Chopin requests Furnival to send graphics to ICA and to ask Houedard to send poems as well. -- Source of annotation: Marvin or Ruth Sackner.

This magnificent presentation of poetry and typewriting art uses varying shades and types of silver papers, several different type fonts and letter sizes and 16 typewritten poems that Chopin calls Dactylo-Poems. There is an inserted nine page accordion pamphlet entitled "Phases de Lune." The typography in this book dances across the pages. In this example Number A, there are five unique typewriter drawings; three represent the full moon and two are square figures. In addtion and not called for in the colophon, Chopin inserted a unique typewriter poem as the frontpiece that is captioned, "fresco for the signs in 2001 for Ruth and Marvin Sackner..." This tirage consists of 150 unsigned examples, 10 signed examples including an original typewriter poem, and the unique edition, copy A, that is signed and includes five unbound original typewriter poems as well as an additional smaller size typewriter poem within the book. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive purchased "From A to Z" by Johanna Drucker from this catalogue which included an extensive typewritten letter by Drucker on how and why she made this book. Also includes other documentary information. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive purchased "From A to Z" by Johanna Drucker from this catalogue which included an extensive typewritten letter by Drucker on how and why she made this book. Also includes other documentary information. -- Source of annotation: Marvin or Ruth Sackner.

This was taken from the manuscript of the portfolio for reproduction by Thames & Hudson -- Source of annotation: Marvin or Ruth Sackner.

The print by Chopin, entitled "Rockets" is numbered 1/XXX and is flat in contrast to the folded print in the limited edition portfolio. Similarly, the drawing with handwritten text by Heidsieck is part of the maquette along with an unfolded print. This drawing is a chronologic accounting of the relationship between Heidsieck (BH) and Chopin (HC) from extracts of letters. The latter is listed in the database as a separate entry but is stored in the Chopin drawer. This work includes seven original typwriter poems made by Chopin. -- Source of annotation: Marvin or Ruth Sackner.

This calligraphic text is the maquette for the folded print in Portfolio Chopin. It is a linear extract of letters by Henri and Bernard to each other from 1962 - 1977. The two are identified by heavy printed letters, BH and HC. -- Source of annotation: Marvin or Ruth Sackner.

This manuscript documents the exhibition of Bob Cobbing & Writers Forum at Sunderland Arts Centre, published as Ceolfrith No.3. -- Source of annotation: Marvin or Ruth Sackner.

This photocollage was used for OU 23/24, 1965. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue doocuments the first major retrospective of Hausmann's work for the exhibition that was shown in the three countries in which Hausmann lived, France, Germany and Spain (Ibiza). Several scholary essays are included in the catalogue tracing his early years as a Dadaist, collages and photomontages, the photographic works, sound poetry, abstract paintings and later Dada works. Chistopher Phillips essay, "In the Chaotic Cave of the Mouth," describes Hausmann's sound poems, which are considered "among the most difficult and perplexing" of this "recondite genre." -- Source of annotation: Marvin or Ruth Sackner.