This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Designated Wallet Number Three. Includes the following pamphlets: 11) Bettina Adler: eIghT FIGURES, 12) Allen Fisher: SSSSPEECH, 13) Allen Fisher: Atherapy studies group docket Q, 14) Jennifer Pike: Water Works, 15) Betty Radin: Masks, 16) Bill Griffiths, Bob Cobbing & Paula Claire: Gin Chap, 17) Paula Claire: Circuits, 18) Lawrence Upton: Loops, 19) Keith Musgrove: Tests and 20) Alison Bielski: Mobiles. -- Source of annotation: Marvin or Ruth Sackner.

Bill Griffiths' introductory essay explains how Cobbing has used the duplicator, ink, stencils and over-printing to create texts of shapes and textures. They "move away from word and letter as conventional symbols...into a new semantics of shape. The works in this book date from 1970 to 1976. -- Source of annotation: Marvin or Ruth Sackner.

Reviews international small press scene. -- Source of annotation: Marvin or Ruth Sackner.

This poem with the appearance of a film sequence in the form of a grid, was published in Second Aeon No.15, 1972. -- Source of annotation: Marvin or Ruth Sackner.

Published as page 6 in Ceolfrith No.26: Bob Cobbing & Writers Forum. -- Source of annotation: Marvin or Ruth Sackner.

Flyer for Clive Fencott and Bob Cobbing's farewell poetry reading held on April 17 1986 at the Camden Head in London. On the back, handwritten note reads: "We have given up poetry. I am now into music and computer-graphics (scores) -Bob"

Flyer for visual and sound poetry show. Held at the Birmingham Bloomfield Art Center (BBAC) gallery

The titles of each book, each containing 32 prints with each print glued one to a page, are written on the covers by Cobbing. These books constitute a "scrapbook of Cobbing's published prints." -- Source of annotation: Marvin or Ruth Sackner.