Includes poems Oslo Solo, Fur Luke Fluke, dedicated to Fulcrum Press & Stuart, and p quiliar and a b...y z...i c...q d, first published in Poetsdoos No.7, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The inscription by Cobbing on the envelope indicates that these are two originals fom Sequence 33-25 (1974-1975). -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of the book first published earlier in the year. It consists of interviews devised with the cut-up technique. -- Source of annotation: Marvin or Ruth Sackner.

The editor of this book is listed as Robert W. Cobbing, aka Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

Images are totally abstract. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder number four. Works are new versions of "Tan Tandinane," "Wan Do Tree," "Alphabet of Fishes," "M," and "Oslo Solo." This is the second edition of this anthology first published in 1968. Cobbing notes the following: Why publish sound poems in visual form - because the pattern of sound which is the sound poem often makes an interesting pattern on the page...the poem exists in many forms aural and visual...becomes perhaps many different poems. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder number four. Works are new versions of "Tan Tandinane," "Wan Do Tree," "Alphabet of Fishes," "M," and "Oslo Solo." This is the third edition of this anthology first published in 1968. Cobbing notes the following: Why publish sound poems in visual form - because the pattern of sound which is the sound poem often makes an interesting pattern on the page...the poem exists in many forms aural and visual...becomes perhaps many different poems. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder number four. This fourth edition contains new versions of the following poems: Tan Tandinane, Wan Do Tree, Alphabet of Fishes, 'M. -- Source of annotation: Marvin or Ruth Sackner.

soma signifies 'society of mental awareness. It was instrumental in overturning the harsh penal penalty for possession of hashish in England in the 1970s. -- Source of annotation: Marvin or Ruth Sackner.

Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.