This page includes the text of the poems for the printed booklet. On the verso, Finlay provides the meaning of the acronyms for two of the poems, viz., "The Sonnet's Poem: S.W.A.L.K." (Sealed With A Loving Kiss) and "The Forrest Poem: St A.G." (St Anthony Guide). -- Source of annotation: Marvin or Ruth Sackner.

This poem on Apollo and Daphne is adapted from Greek mythology. -- Source of annotation: Marvin or Ruth Sackner.

This poem dealing with Apollo and Daphne has been modified by Finlay to signify that Apollo is the revolutionary and Daphne the French republic. -- Source of annotation: Marvin or Ruth Sackner.

Also listed as "Ovid: Metamorphoses Book I, Fable XII."

The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary Hut." The drawing is structured over a Finlay work "sea ms." -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an invitation to a private viewing of "A Pittenweem Fancy" by Finlay at Kellie Lodging during the Royal Burgh of Pittenweem Arts Festival. -- Source of annotation: Marvin or Ruth Sackner.

The image is identical to the print with the same title. The complete text is "Evening will come They will sew the blue sail." -- Source of annotation: Marvin or Ruth Sackner.

The complete text is "Evening will come They will sew the blue sail." -- Source of annotation: Marvin or Ruth Sackner.

Five names of ships and the names of their ports have been written in green color with a traditional calligraphic style. *WEB 1998: Publisher's name misspelt. Date wrong -- should be 1978. Sackner: corrected. -- Source of annotation: Marvin or Ruth Sackner.

The drawings consist of the same phrase appears with slightly different calligraphic styles. -- Source of annotation: Marvin or Ruth Sackner.

The names are a mixture of the Apostles and leaders of the French Revolution. -- Source of annotation: Marvin or Ruth Sackner.

Consists of the port letters and numbers of Scottish fishing vessels fired in green on a white background. -- Source of annotation: Marvin or Ruth Sackner.

This is not an English word - its meaning is unclear. -- Source of annotation: Marvin or Ruth Sackner.

This work was presumably for a unique piece. The seven drawings were mounted on one sheet of paper and the two drawings on another sheet of paper. They consist of slightly different calligraphic styles for these two words. -- Source of annotation: Marvin or Ruth Sackner.

These drawings were done for a sundial sculpture to be made from Portland Stone and Westmorland Slate. The completed sculpture, Umbris Solis, was installed in the National Galleries of Scotland. -- Source of annotation: Marvin or Ruth Sackner.

The image depicts a random arrangement of ship's numbers placed within a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

The image depicts a random arrangement of ship's identification numbers placed within a fraction of a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds the card and the drawing with the same title. This work is also depicted in Bulletin of the National Galleries of Scotland No.3, a pamphlet periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.