Finlay combines line images of airplanes with analogies to butterflies and a cherry blossom. This work consists of a folded sheet of light blue, blank tissue paper containing a second, slightly smaller, folded sheet of white tissue paper with line drawings of aeroplanes and text (in blue). -- Source of annotation: Marvin or Ruth Sackner.

The title of the work is printed on the folder; the print is of green stock paper and has a caption at its bottom that is entitled, ANTIQUE WOVE. -- Source of annotation: Marvin or Ruth Sackner.

The drawings consist of the same phrase appears with slightly different calligraphic styles. -- Source of annotation: Marvin or Ruth Sackner.

This is a request to Martin Fidler, the bookseller who sold the Sackners the Finlay Archive, for out-of-print books by Confucius and by the philosopher J-H. Newman. It gives an indication of the seriousness of Finlay's depth of intellectual reading. -- Source of annotation: Marvin or Ruth Sackner.

The size of this edition is not known nor is it listed in Finlay's book Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.

Consists of the port letters and numbers of Scottish fishing vessels fired in green on a white background. -- Source of annotation: Marvin or Ruth Sackner.

The message deals with enlisting help for Finlay's despute with the local tax collectors. -- Source of annotation: Marvin or Ruth Sackner.

This is not an English word - its meaning is unclear. -- Source of annotation: Marvin or Ruth Sackner.

The acronym signifies Arts Council of Great Britain, Scottish Arts Council, and the K.G.B. (Russian secret police). -- Source of annotation: Marvin or Ruth Sackner.

This work was presumably for a unique piece. The seven drawings were mounted on one sheet of paper and the two drawings on another sheet of paper. They consist of slightly different calligraphic styles for these two words. -- Source of annotation: Marvin or Ruth Sackner.

Depicts sundial with the caption "Too Many Laws Too Few Examples." -- Source of annotation: Marvin or Ruth Sackner.

These drawings were done for a sundial sculpture to be made from Portland Stone and Westmorland Slate. The completed sculpture, Umbris Solis, was installed in the National Galleries of Scotland. -- Source of annotation: Marvin or Ruth Sackner.

The image depicts a random arrangement of ship's numbers placed within a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

The image depicts a random arrangement of ship's identification numbers placed within a fraction of a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

The essay written by Stephen Bann on the back inside folder explains the metaphor of grouping designs of hulls of sailing ships like sea shells in a display case. Proctor is a ship designer and Costley the artist who made this print. -- Source of annotation: Marvin or Ruth Sackner.

Five prints were adapted by Hinks from drawings by Claude Lorrain (1640, 1642, 1643, 1649). The texts of the tree plaques for this proposal were taken from classical sources in Latin and Greek literature. -- Source of annotation: Marvin or Ruth Sackner.