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Depicts names of Scottish fishing ships with Star as a component of their names printed in green and arranged as a mandala on a blue background. -- Source of annotation: Marvin or Ruth Sackner.

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The image depicts a random arrangement of ship's numbers placed within a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

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The image depicts a random arrangement of ship's identification numbers placed within a fraction of a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

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The essay written by Stephen Bann on the back inside folder explains the metaphor of grouping designs of hulls of sailing ships like sea shells in a display case. Proctor is a ship designer and Costley the artist who made this print. -- Source of annotation: Marvin or Ruth Sackner.

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The photographs of the sculpture in Finlay's garden were made by Dave Patterson. Two brief introductory essays by Bernard Lassus and Stephen Bann are included in the first four pages. The remainder of this book consists of photographs. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Harriet Staff reviewed the book in Poetry News November 28, 2012: Ian Hamilton Finlay's new book, Selections (UC Press 2012), edited with an introduction by Alec Finlay, has been reviewed over at Booktryst. Alastair Johnston writes of Finlay's later-life recognition, noting that "[a]mong the most fatal accolades one can achieve is to be called "greatest living' anything." What follows is his poetic work in biographical context, down to the garden art (the post also includes great photos of Finlay's early books and ephemera; and links to other concrete poets and related resources): This new book compacts much of his writing into one volume. His early poems are mostly negligible, but the odd memorable line occurs ("The dancers inherit the party"-- also the title of his first book of poems). Glasgow Beasts is a charming series of childlike verses written in broad Gleskae dialect. (Finlay's early battles with the dole come off like an episode of Rab C Nesbit.)In 1963, Finlay began to...

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Five prints were adapted by Hinks from drawings by Claude Lorrain (1640, 1642, 1643, 1649). The texts of the tree plaques for this proposal were taken from classical sources in Latin and Greek literature. -- Source of annotation: Marvin or Ruth Sackner.

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Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.

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All the cards depicted in this book are held by the Sackner Archive. Futher, about five times more cards by Finlay are held by the Sacknsr Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This print is not listed in Finlay's book, Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.

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This photograph depicts a sundial sculpture, "The Four, Seas, -Ons In, Sail. A sail is placed in the center to deflect the sun and cast a shadow. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive also holds the card and the drawing with the same title. This work is also depicted in Bulletin of the National Galleries of Scotland No.3, a pamphlet periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This finely printed book consists of a listing of aphorisms such as 1) Vengeance is an act of good faith, 2) Concrete poems were thought childish because they were seen but not heard, 3) Schemes for making a great deal of money usually cost a lot. -- Source of annotation: Marvin or Ruth Sackner.

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The eight colored prints play off the image of the Pansey, the flower as a camouflaged image of Panzer, the German armored tank. A section of this book is entitled, "Detached Sentances on Camouflage: In the Manner of Shenstone. William Snenstone (1714-1763) was a poet and gardner. This list aphorisms about floral and military tank camouflage. -- Source of annotation: Marvin or Ruth Sackner.

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This is Finlay's first book of concrete poetry based upon a typed layout. Sixtenn poems are printed in red color. -- Source of annotation: Marvin or Ruth Sackner.

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Temple denotes the exhibition space at Finlay's residence. The caption under an image of a Greek temple includes a definition, a quote from The Metamorphosis of Ovid, and the storming of Finlay's Temple by the Strathclyde region tax collectors who launched a surprise attack on Budget day, March 15, and successfully looted the garden TEMPLE. The definition is "a marbled edifice, a veined edifice; the seat or summit of reason." -- Source of annotation: Marvin or Ruth Sackner.

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The leaflet provides an explanation for the image on the medal. Virtue is signified by two classical columns and terror by the two posts of the Guillotine. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibition was curated by Peter Day. -- Source of annotation: Marvin or Ruth Sackner.

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This book is a selection of Finlay's poems over 40 years. -- Source of annotation: Marvin or Ruth Sackner.