Garnier, Pierre, 1928-2014
Nationality
French
Found in 7 Collections and/or Records:
54-64 For Link, 1964
Lecture for Eyear, 1964
Houedard in his introduction states that this is the first lecture (concrete poetry) delivered in the English speaking world. He presents an extensive critical analysis of Gomringer's poems including "Avenidas," "Silencio,"etc. and DeCampos poetry. Calligrammes were inspired by Mallarme's "Un Coup De Des" as well the music of Webern. He discusses the basis for Ultra-Lettrisme and Sound Poetry and provides a chronology for Sound Poetry. -- Source of annotation: Marvin or Ruth Sackner.
Light / Cobbing, Bob ; Garnier, Pierre ; Keith, Bill ; Lora-Totino, Arrigo ; Tanubu, Hiroshi., 1994
Cover was designed by Bob Grumman. -- Source of annotation: Marvin or Ruth Sackner.
Light / Tanabu, Hiroshi ; Garnier, Pierre ; Keith, Bill ; Lora-Totino, Arrigo ; Carrega, Ugo., 1994
Lumiere / Cobbing, Bob, editor ; Cobbing B ; Garnier P ; Garnier I ; Keith B ; Lora-Totino A ; Tanabu H., 1994
Paradada (FOR TLS AS-AG NO - 1964), 1964
This essay was published in "The Times Literary Supplement" No.3,258 August 6 1964 in a slightly modified form from this manuscript. The Sackner Archive holds this issue of TLS. -- Source of annotation: Marvin or Ruth Sackner.
Position I of International for Spatial Poetries, 1963
This manuscript was typed by Dom Sylvester Houedard, the translator of Garier's manifesto and is stored in Garniker's box. -- Source of annotation: Marvin or Ruth Sackner.
