This card was addressed to Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

According to Barbara Moore, there were two versions of this book, one with gallery information that served as an exhibition catalogue and the other without such information as in this copy. -- Source of annotation: Marvin or Ruth Sackner.

1. TV-Live Fernseh-Live-Aufnahme Farbe 60 Minuten "Farbe Bekennen" WDR Sendung 14.Mai 1970 2. Chrom-Neon-Text Ruhruniversitat Bochum Diptychon 2x300x685 cm (Linke Wand) Architenkten; Hentrich, Petschnigg+Partner 3. Licht-Text-Schwellen Siebdruck Trockentransfer Auf Leuchtstoffrohren 4. Super-Sechtext 1971 5. Super-Sechtext 1971 6. Textschwimmer Siebdruck Auf PVC 1968 7. Apollo Amerika Hortexxt V1 1969, Apollo Amerika Radio-Text VI 1969 Hortext auffuhrung Radio text Performance Moderna Museet Stockholm 1970 8. Textsegal-Text-Sail 330x330cm 1968 Siebdruck Auf PVC Silkscreen on Vinyl 9. Textsegal Text Sails 330 x 330 cm 1968 Siedruck Auf PVC Silkscreen on Vinyl 10 Wah Wah Textteppiche TExt carpets Silkscreen on vinyl 100 x 300 cm 1968 11 Lesewald Modell Plexiglas 1967 -- Source of annotation: Marvin or Ruth Sackner.

Announcement for show PUBLIT poem-paintings 1964/65 at Galerie Niepel in Dusseldorf. -- Source of annotation: Marvin or Ruth Sackner.

Ferdinand Kriwet contributed an introductory essay, "Decomposition of the Literary Unit: Notes on Visually Perceptible Literature" that traced the historical antecedents of concrete and poetry. This is followed by an illustrated section on his own linguistic and compositional techniques involving circular concrete poems, "Rundsheiben." "Walk Talk," a vinyl, floor covering, a portion of which was given to the Sackners by Kriwet is depicted in the book.Kriwet defines his term "Sehtext" as a solution to the problem of visually perceptible literature. It is the tension between the physical act of seeing and the intellectual one of reading. Seeing is a process of perception; reading is the reaction to it. -- Source of annotation: Marvin or Ruth Sackner.

The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. -- Source of annotation: Marvin or Ruth Sackner.

The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. The inscription on the cover is written and signed by Franz Mon (?). -- Source of annotation: Marvin or Ruth Sackner.

Flyer for visual poetry exhibition and concert. Held from January 20-February 25 1980.

The brochure depicts six typewriter poems, the first series of four of six circular concrete poems (sehtexte) 1960-1961 and the second series of six of 14 concrete poems, 1962-1963. The loose sheet present in one of the copies is an announcement for Kriwet's book, "durch die runse..." published as schritte No.10. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This sheet depicts rows of 35 mm film strips that document Kriwet's mandalas as public literature. -- Source of annotation: Marvin or Ruth Sackner.