Pages are glued together and can only be opened with force. -- Source of annotation: Marvin or Ruth Sackner.

No.3 in series. -- Source of annotation: Marvin or Ruth Sackner.

Includes a glossary of terms based upon the Sackner's list published in the exhibition catalogue, "The Beauty In Breathing." -- Source of annotation: Marvin or Ruth Sackner.

The images mostly depict animals, although the original frottage in this copy depicts a sailing ship. The original frottage is dated as 1990. -- Source of annotation: Marvin or Ruth Sackner.

Each participant in this mail art project was given a photograph of the same young woman with the lower half of her face concealed by a mask. They were free to modify it but could not remove the mask. -- Source of annotation: Marvin or Ruth Sackner.

Each page reproduces part of the sidewalk in Hollywood, California, onto which names of motion picture stars are inscribed. -- Source of annotation: Marvin or Ruth Sackner.

The title of this book in English is "Why Adolf Hitler has not become an Artist." Each of the contributing artists/poets answers this question with one or more drawings or poems. For example, Olbrich writes a sentence,"? -- It's a true story." Garnier provides three ink drawings of caricatures of Hitler that focus on his prominent facial features, his moustache and hair swept to one side. They are captioned, espressionismus, Hil Heitler, and entartete Kunst. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of misprints of the exhibition catalogue "Ressource Kunst" that is held by the Sackner archive. -- Source of annotation: Marvin or Ruth Sackner.

Contains an essay by Vittore Baroni, "Towards the Heart of the Machine: Copy Art Today" and another on "Mohammed elogio per un vampiro." -- Source of annotation: Marvin or Ruth Sackner.