This is a reproduction of page 85 of Mallock's "A Human Document." -- Source of annotation: Marvin or Ruth Sackner.

Reviews international small press scene. -- Source of annotation: Marvin or Ruth Sackner.

This is the first letter written to Marvin Sackner from Tom Phillips. Sackner was moved by Phillips' exhibition in the Basel Kunsthalle. The letter begins, "Thanks for your kind letter & your good wishes re - A Humument - it has been a long haul!" He goes on extending an invitation to visit him in London. -- Source of annotation: Marvin or Ruth Sackner.

This print was silkscreened by Dave Pike at Ipswich. This score (Opus 2) consists of wavy black heavy curved lines with thinner red line intersections. Phillips provides directions on one side of the folded print in his own handwriting. The letter to John (Furnival?) describes a broadsheet/poster drawing for publication. He mentions that the musical print is "...something David Bedford asked me to do - an indeterminate piece for any number of people (to use where he teaches) -so, for interest, I enclose that too." Depicted in Tom Phillips: Works Texts To 1974, page 249. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was rejected for the cover design by Hansjorg Mayer because it was too complcated for a book cover. Thepoem reads "I had come about art - after only one readingi was able to tell her, - it was a Journal of secret scribing and hiding a work of fiction - interspersed wit used art - read the toge story - there are certain scenes and feelings" -- Source of annotation: Marvin or Ruth Sackner.

This announcement reproduces Phillips' typewriter poem that consists of all the words of the Inferno. The original work was held by the Sackner Archive bjut later donated to PAMM. -- Source of annotation: Marvin or Ruth Sackner.