This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. Text reads "amongst a group of / the figure of a man / made over / some wild-eyed / horse / impetuously" "savage / in the great / deep irregular ditch / vague masses of / red / red / princely / men were / shadows and echo, and the horses tramped" Added: CEND

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. The print depicts a stylized portrait of Dante. This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner. Image of Fleur-de-lis in brown surrounded by two dimensional wall on a grey background. Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

This print is from the first version of the work which was mostly destroyed in a fire at Editions Alecto. Less than three copies of the prints from the first version survived. Tom Phillips did not select this image for his final version of the Inferno. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. Note at bottom from Phillips that was done in aquatint (unknown). Number XIX.

This print is from the first version of the work which was mostly destroyed in a fire at Editions Alecto. Less than three copies of the prints from the first version survived. Tom Phillips did not select this image for his final version of the Inferno. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. Text reads "fair / Florence, / Vice / good-bye my / exclamation..." Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. The print depicts concentric, colored semicircles on a gray background with A Humument text that reads, " ten pungent valleys - they smell the wolves' haunt and continue." This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A Humument text of this image reads, "with every nerve / stretched / the hard /exaggeration / ugh / ugh / came / into his / hidden / woman / lacerating / Angry, savage / creature / of his blind / fantastic / cow / the / Once, one / only last / of a new kind / mixed with pain. He / hardly recognized himself." Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A Humument text of this image reads, "oppportunity / judges / all / of / us" and "upper / under / in / favor / or / fallen / is / fortune / proportionate" Added: CEND

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. The print depicts stylized raindrops and the accompanying Humument text reads, "down to position Three - pain, and this repeating wretched wretched rain - the wretched hours stretched and stretched intolerable. Each." This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. "slight and lukewarm, / not / able to love, / We / can't / for / repent..." Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A Humument text of this image reads, "a conjuror / with his own voice, / by / which / art / the devil, with low whisper / work / the best of men / corrupted, / conquered;" Added: CEND.