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Bann, Stephen, 1942-

 Person

Nationality

British

Found in 4 Collections and/or Records:

Seashells, 1971

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11863-12084
Scope and Contents

The essay written by Stephen Bann on the back inside folder explains the metaphor of grouping designs of hulls of sailing ships like sea shells in a display case. Proctor is a ship designer and Costley the artist who made this print. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Some Myths of Concrete Poetry / Cobbing, Bob; Mayer, Peter; Chopin H; Bann S; Finlay IH; Mills S; Belloli C; Finch P; Gomringer E; Wright E; Fahlstrom O; Themerson S; Jandl E; Morgan E; Furnival J., 1972

 Item — Box 392: [Barcode: 31858072461563]
Identifier: CC-17728-18097
Scope and Contents

Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Un Jardin Revolutionnaire, 1988

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-11772-11991
Scope and Contents

This proposal for a revolutionary garden in Versailles was never carried out owing to a political perception in France that Finlay espoused pro-Nazi, anti-semitic views (this opinion is not shared by the Sackners). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

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