Basinski, Michael, 1950-
Nationality
American
Found in 11 Collections and/or Records:
Abzu, 2003
The illustrations or "illumagery" by Sorin complement the fractured and inventive texts by Basinski. The frenzied texts are fashioned in a Neo-Dada like context and arrangement that are probably performed by Basinski. -- Source of annotation: Marvin or Ruth Sackner.
Daily Fish Fry, 2011
This drawing as well as many of other works by Basinski is performed by Basinski in his unique, extemporaneous manner. Basinski writed in an accompanying letter, "Here in paper work from mailed FISH FRY (A favorite in Catholic Lent old time buffalo - I find it most amsusing (sic) like a spring rite of passage). Hope you are well and thank you for adding FISH FRY to your marvelous collection." -- Source of annotation: Marvin or Ruth Sackner.
Dog Music, 2012
The card provides instruction for this Fluxus-like piece: "Ask several people in the audience to bark like dogs and cue and correct them. Variously tell them to shut up." -- Source of annotation: Marvin or Ruth Sackner.
Ghosts Live in Closed Eyes , 2008
This work is also designated as Card 26 from "Stories from the Flats." Tom Kryss conributed the envelope and cover. -- Source of annotation: Marvin or Ruth Sackner.
Heebie-Jeebies, 1996
John M. Bennett's Too Big Pants and Shorts , 2005
Temple , 2008
This work is also designated as Card 22 from "Stories from the Flats." Tom Kryss contributed the envelope and cover designs. -- Source of annotation: Marvin or Ruth Sackner.
The Flight to the Moon, 1993
The Maenads, 2011
Two Ensemble Works, 2005
The poems in this work are entitled "Elephants Ensembled Poem" and "80th Birthday Event for Jackson Mac Low." -- Source of annotation: Marvin or Ruth Sackner.
Why Do I Hear...But Not Undertand, 2014
This piece was performed by Michael Basinski at the Perez Art Museum Miami on March 22, 2014 in conjunction with the exhibition "A Human Document: Selections from The Sackner Archive of Concrete and Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.
