Scope and Contents

The image depicts a man hanging a framed picture of an English and made-up (or a dialect) text from a book. This work is also designated Content Vol.1 No.1. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is a pataphysical, political analysis of the typewriter keyboard as related to the sonnets of Shakespeare. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Participants were requested to artistically or poetically interpret three pages of a Lego patent (1961) that was provided to them by Beaulieu. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Beaulieu invited 15 artists and poets to modify the original patent for Lego toys artistically or poetically and assembled the results into this piece. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This publication depicts Beaulieu's letraset collages including Untitled (2010), a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This pamphlet is based upon Paul Auster's novella, "Ghosts" which has characters named White, Black and Blue. Black lives on Orange Street. In the Beaulieu treatment of this work, only chromatic words are retained and the the rest are "cancelled" with non-printed, white space. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This pamphlet is based upon the original book that is held by the Sackner Archive, "Local Colour" which in turn derives from Paul Auster's novella, "Ghosts." The latter descibes characters named White, Black and Blue. Black lives on Orange Street. In the Beaulieu treatment of this work, only chromatic words are retained and the rest are "cancelled" with non-printed, white space. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These prints by the 17 contributors were photocopied from the collages made from the same letraset fonts distributed to them by Bealieu. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The images in this book are letraset collages; the fold-out depicts the "untitled" letraset collage in the collection of the Sackner Archive. The loose sheet is an Beaulieu's explanation as to why he prefers letraset and typing to computer generated art. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The cover depicts a letter picture. The pages are mostly abstract markings with a few letters. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The text for this work is taken by beaulieu from "The Bat" by Mary Roberts Rinehart & Avery Hopwood (1920) and was assembled by Laliberte using Batman comics of the 1970s & 80s. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Each issue within the box covers varying engagements with surrealism through drawings and text. Some topics depicted are floral forms (#4), cartoons (#5), hell (#6), pessimism (#7), humor (#7), nightmares (#9), fragmentation (#10)This issue consists of surrealistic drawings and text. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of surrealistic drawings that resemble paint by number drawings. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of surrealistic drawings by Fiona Smyth. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of surrealistic drawings of floral forms by Julie Voyce. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of cartoon-like surrealistic drawings by Ben b. Jacques. -- Source of annotation: Marvin or Ruth Sackner. This issue consists of a lively tale of things the author imagines he will have or not have in hell. -- Source of annotation: Marvin or Ruth Sackner. This...