Announcement of d.a. levy's suicide and his friends' plans for further publications. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this copy was designed by dagmaR. Sixty-five copies had "freak covers." According to an essay in Congress No.1, this book was seized by Cleveland Police for obscenity from Asphodel Book Store in 1966. -- Source of annotation: Marvin or Ruth Sackner.

According to Horvath, "These nine unpublished drafts of 'cleveland undercovers' trace the poem's progression from its single sheet origin to a 16 page manuscript containing sections which were later removed. None of the early versions contained the 'Introduction' which only appeared with the published poem. 'cleveland undercovers' was initially printed by 7 flowers press." The cover print was based upon a photograph published in a 1966 edition of the Cleveland Press by David Pishnery. -- Source of annotation: Marvin or Ruth Sackner.

This book includes three abstract letterpress prints. In this book, levy repetitively prints an obscene word in varied typefaces and layouts, one to a page. -- Source of annotation: Marvin or Ruth Sackner.

This is an announcement of the release of rjs from jail and the delayed publication of d.a. levy tribute and anthology. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts silkscreened portrait of levy and includes a handwritten inscription, "25 [cents] for levy's defense." The tipped-in silkscreen print on the page was probably made by levy. The text admonishes the people of Cleveland for the treatment of levy. According to a letter from Alan Horvath, this is the first version of the book that was subsequently published with a different cover/title page. Further, he indicated that pages were missing from the Sackner copy. -- Source of annotation: Marvin or Ruth Sackner.

According to Kent Taylor in a personal communication (1997) to the Sackners, this was d.a levy's first book. Further, he believes that "Dave" in the inscription was Dave Williams, a boy friend of Taylor's first wife, levy's cousin, Joan. Several copies were destroyed from the run and Jim Lowell estimated that only 10-15 copies remained intact. -- Source of annotation: Marvin or Ruth Sackner.

The image accompanying this poem is an abstraction of a barge (on the Cayuga river flowing through Cleveland) with musical notes eminating from its foghorn. The poem refers to the fact that the river caught on fire because of heavy pollution near the time the poem was written. The title of the poem is "the foghorns of the barges" and reads, sing to me mournful - sing to me mad - sing to me mist and magic - and everyone else as the city sneaks out of the haze - we laugh and throw firecrackers at it." -- Source of annotation: Marvin or Ruth Sackner.

The mainfesto deals with profanity. -- Source of annotation: Marvin or Ruth Sackner.

d.a. levy contributed six abstract drawings and Judson Crews wrote the poems in this publication. -- Source of annotation: Marvin or Ruth Sackner.

This issue contains a photograph that is reprinted and reproduced in (Uh..One & Uh..Two) Random Sightings. The cover photograph is by Alan Horvath. Reprints numerous collages from Serif (volume 8, number 4, 1972, Marijuana Newsletter #2 (1965), The Day is a Prayer they Can't Understand (1967), Cleveland Undercovers (1966), All Gods Must Learn to Kill (1967). Also reprints Farewell the Floating Cunt (1964) in its entirety. -- Source of annotation: Marvin or Ruth Sackner.

In the letter to billl wyatt on the cover, levy muses about a third part of the poem (only two parts were published) in which he plans "i think will be a defense of the county sherriffs (sic) office - they were pretty good to me considering all the lip i gave them - was on radio & T.V." -- Source of annotation: Marvin or Ruth Sackner.