In this letter to the Sackners, the artist writes about her new works which she calls "Architecture Fluide." Examples of this genre were later acquired by the Sackner Archive from an exhibition held at the England Gallery, London in April 1992. -- Source of annotation: Marvin or Ruth Sackner.

The dark brown covers of this book have been collaged, crumpled and heavily varnished by Seille to create a unique artist binding, The endpapers consist of fluid calligraphic writing in an unrecognizable alphabet, written in black paint reminiscent of Chinese calligraphy. The pages are collaged with the artist's unique drawings consisting of images, numbers, surrealistic drawings and organic structures. The pages are varnished such that a crunchy sound is emitted upon turning the pages. -- Source of annotation: Marvin or Ruth Sackner.

The work consists of twelve small pieces of treated paper with a single handwritten neologistic word, e.g., apteryx, argosome, etc. on the recto and numbers on the verso. The papers are held in a papercard case. -- Source of annotation: Marvin or Ruth Sackner.

The 'pages' consist of seven lengths of string fixed to the inside at the spine onto which have been collaged several fragments of paper with a handwritten word, e.g., clear, their, from, rare, sand, tightly, etc. -- Source of annotation: Marvin or Ruth Sackner.

The cover has calligraphic text by Seille. -- Source of annotation: Marvin or Ruth Sackner.