Depew, Wally
Found in 77 Collections and/or Records:
[Large Printed Abstractions], 1990
The original purchase price of each print was $5. -- Source of annotation: Marvin or Ruth Sackner.
Laugh Scream 1, 1985
The paper base for this drawing is a sketchbook page. The disjointed lettering between the Laugh and Scream is reminiscent of the some of the paintings by Tim Rollins + K.O.S. and Didier Mutel's book, "The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson." -- Source of annotation: Marvin or Ruth Sackner.
Laugh Scream 2, 1985
The paper base for this drawing is a sketchbook page. -- Source of annotation: Marvin or Ruth Sackner.
Laugh Scream 3, 1985
The paper base for this drawing is a sketchbook page. The disjointed lettering between the Laugh and Scream is reminiscent of the some of the paintings by Tim Rollins + K.O.S. and Didier Mutel's book, "The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson." -- Source of annotation: Marvin or Ruth Sackner.
[Letter from Karl Kempton to Wally Depew] / Kempton, Karl, 1986 February 12
Kempton notifies Depew of his acceptance of his work for an issue of "K" [Kaldron?] and complains about a lack of recent quality submissions. Kempton prints a call for submissions for a mail art show on verso side
[Love Poems for Linda], 1964 - 1965
These are beautifully written, personal love poems from Wally to Linda Depew. -- Source of annotation: Marvin or Ruth Sackner.
Nine Essays on Concrete Poems, 1974
Includes several reprinted dictionary definitions of the words, "Concrete, Essay, Poem, and Poets." The back cover depicts a portrait of Wally Depew in Ben Day dots. -- Source of annotation: Marvin or Ruth Sackner.
Nine Essays on Concrete Poetry (Proof Copy), 1974
[Notes from Karl Young to Wally Depew] / Young, Karl., undated
Kempton solicits contributions from Depew
Ornamental Design, 1985
The paper base for this drawing is a sketchbook page. The forms with their descriptive colors are reminiscent of American Indian designs. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: [African Animals and Scenes], 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: [Belly Buttons], 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: [Breasts], 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: Can a Girl Make You?, 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: [Difficult ?], 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: [Eat Yourself], 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: Every Thing, 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. The image depicts a phallic shape. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: [Faces], 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: [Feet], 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
Paste Book Number One: For Plan Focus, 1985
The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.
