D S H (Dom Sylvester Houédard), 1924-1992
Found in 174 Collections and/or Records:
[Scanned material, mostly by Dom Sylvester Houedard], undated
[Self-crucifixion], 1954
silent & agile, 1965
silkworm (seolcwrym)
Sprechgedichte, Sound Poems, Introduction and Ancestry 2nd Ed. / Jandl, Ernst ; Cobbing, Bob ; Houedard, Dom Sylvester ; Carroll L ; Morgenstern C ; Khlebnikov V ; Ball H ; Albert-Birot P ; Hausmann R ; Marinetti FT ; Schwitters K ; Seuphor M ; Lemaitre M ; Wittgenstein L ; Hodell A., 1966
This is a reprinting of the book which was first published in 1965; it is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of may notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Still Adding To My Alphabet Sound Poems This Morning, 1967
Sylvester Houedard, 1968
TEXTS TO SPEAK W/ THE SHARKEY PEOTRY FILM SHOT ?140964, 1964
John Sharkey's poetry film event was held in Bristol, England. Houedard writes in his introductory statement, "these texts consist of words and silences--any 2 words phrases or silences are connected directly thru what the film is about -- so the words &c can be taken in ANY ORDER." Houedard also writes in the text "CONCRETE POEMS ARE THINGS / LOOK THRU CLEANFORMS TO POETMIND CONCRETE PEOMS...CONCRETE POEMS CAN BE TOYS OR INSTSRUMENTS...CONCRETE IS AFTERBEAT" -- Source of annotation: Marvin or Ruth Sackner.
THALAMUS & SOL (071264), 1964
This depicts a square of composed of two words in capital letters THALAMUS & SOL. Houedard has composed several poems using the neurologic structure, Thalamus, as their basis. -- Source of annotation: Marvin or Ruth Sackner.
THAT, THIS and IS, 1965
The Fire & Wind Rods, 1965
The first two lines of the poem reads "worshipped in honour of ousioos (inventor of furcoats) / & samen roumes (inventor of the twiggy hut). The text of the poem accompying the typed image is not understandable owing to words foreign to English. -- Source of annotation: Marvin or Ruth Sackner.
The Flip Side of Language, 1966
This essay is another copy of the manuscript with slightly different handwritten correctionss and appeared in ISIS No.1507, 1966, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Immaculate Conception, 1954
This depicts two nuns holding hands while lying in bed; It is collaged onto a page of Furnival's "Liber Amicorum 1964-1984," a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[the longago & yetocome] (170963) / [poeme traduction] / POEME BLANC (140663), 1963
This page contains the three concrete poems in the title. The third poem is an" homage a leopold sedar senghor." -- Source of annotation: Marvin or Ruth Sackner.
the third bridge, 1965
Pages 23 and 24
The Thought of the Sensation (711230) , 1971
[Three Ladies' Heads], 1959
& thunder storms (220163-011063), 1963
The earlist poem on this page of multiple small poems dated 220163 reads 'the creator's - primordial crime - scrubbed.' Another poem that Houedard produced on 160263 reads 'Bang sid gpd - bangbang said i - we are both a bit kinky.' In a concrete poetic version of this poem with the same date also held by the Sackner Archive entitled 'dialogue,' the ending has been changed to 'we are both a bit crazy.' -- Source of annotation: Marvin or Ruth Sackner.
turnings xmas69 / Houedard, Dom Sylvester., 1969
Houedard wrote this poem with his typical printed letters. -- Source of annotation: Marvin or Ruth Sackner.
