Consists of an introduction into the history of concrete Poetry. -- Source of annotation: Marvin or Ruth Sackner.

Designated pamphlet seven. Although the title page of this publication announces a debate, the pages consist of photocopied reproductions of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds the book of the same title. -- Source of annotation: Marvin or Ruth Sackner.

This application led to a book, "Life the Universe and Everything' published by Interim Booksin 1993, -- Source of annotation: Marvin or Ruth Sackner.

Consists of signatures of attendees at poetry reading. -- Source of annotation: Marvin or Ruth Sackner.

This work is a working copy for a performance which utilizes previous published poems by Cobbing with added sound poems. -- Source of annotation: Marvin or Ruth Sackner.

Designated Quartos number nine. Cobbing documents the first publication and performance of the poems in this volume which include a reprinting of Hymn to the Sacred Mushroom, Serenade.., Suesequence, Or/Ro, and Beethoven Today. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing created tautologic variations on the title "Beethoven Today" by forming poems in either a circular or quadrangular arrangement. Al the pages are printed on white paper stock. -- Source of annotation: Marvin or Ruth Sackner.

This book incorporates all the material in the two publications, Sound Poems (An A B C in Sound), January 1995, and Kurrirrurriri, November 1967. It consists largely of sound poems though some are written in expressive visual format. The earliest poem in the book, 'Worm' was written in 1954 but did not achieve its final version until 1964. -- Source of annotation: Marvin or Ruth Sackner.

Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.

Provides a listing grouped under the classifications used by Cobbing for the publications. -- Source of annotation: Marvin or Ruth Sackner.

The object has the shape of a triangle and can be read from either the recto or verso sides. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing writes that the twelve poems in this series "have a unity on the edge of poetry and graphic art; further, typewriter camera letraset drawn letter and duplicator techniques combine to say kwatz!" (a Chinese-Zen meaningless word). -- Source of annotation: Marvin or Ruth Sackner.

Cobbing writes that these originals were "ideas sorted out for use in Poems for the N.W. Territories (some used as Christmas Cards). In the event, most of this batch of work was mislaid and the N.W. Territory poems were largely created on the day of printing." The abstract markings of the monoprints are sound poems. -- Source of annotation: Marvin or Ruth Sackner.

Consists of original collage made from colored papers and four black & white prints made from the collage by a photocopier technique. -- Source of annotation: Marvin or Ruth Sackner.