Box 393
Contains 19 Results:
Konkrete Canticle / Cobbing, Bob., 1971
Konkrete Canticle, besides being the name of this book, is the name of a group of sound poets who performed most of the poems in this book. They consist of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.
Vispo for Eric / Cobbing, Bob ; Mottram E., 1997
These poems were performed to honor Eric Mottram's 70th birthday on December 29, 1994; Mottram died on January 16, 1995. -- Source of annotation: Marvin or Ruth Sackner.
bob jubile, 1990
Consists of selected texts by Bob Cobbing 1944-1990. Jennifer Pike, Bob's wife, also writes under the name Jennifer Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Sound Poetry: Record Notes / Cobbing, Bob; Chopin H; Dufrene F; Heidsieck B; Johnson BE; Hanson S; Cobbing B; Novak L; Jandl E., 1970
The text consists of notes for the record of the same title; the record is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Origins of British Experimental Poetry / Cobbing, Bob; Gomringer E; Houedard DS; Finlay IH; Morgan E; deMelo e Castro EM; Garnier P; Chopin H; Novak L; Fahlstrom O; Cox K; Williams J; Edmonds T., 1973
Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.
[not poetry] / Cobbing, Bob; smith s; Brown P; Henri A; Mitchell A., 1970
A Gala Exhibition / Cobbing, Bob; Houedard DS; Cox K; Wright E; Verey C; Furnival J; Finlay IH; Morgan E; Gerz J; Chopin H; Garnier P; Gette PA; Logue C; Lucie-Smith E., 1969
Cobbing mentions that nearly a thousand items were included in this exhibition that took place over one month's period which thirty thousand people attended un London's Royal Festival Hall.. -- Source of annotation: Marvin or Ruth Sackner.
First & Second Drafts of Interview Regarding 1968 & 1969 Stockholm Text-Sound Composition Festivals / Cobbing, Bob., 1968 - 1969
Etcetera cover design / Cobbing, Bob., 1970
This the cover design for the book of the same title which was published by Vertigo Productions, London in 1970; the book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Notes For (from) Chamber Music / Cobbing, Bob., 1966
This handwritten manuscript is subtitled "how it all began." -- Source of annotation: Marvin or Ruth Sackner.
Gail Song / Cobbing, Bob., 1971
This piece is present in the recording (33rpm) also held by the Sackner Archive entitled "Experiments in Disintegrating Language: Konkrete Canticle" (1971). In the recording the title Has been changed to Ga(il)o(ng). Work was previously stored in binder as a typwriter piece. -- Source of annotation: Marvin or Ruth Sackner.
Material Relating to Konkrete Canticle/Experiments in Disintegrating Language / Cobbing, Bob; Verey C., 1971
For Ted Berrigan & Aram Saroyan / Cobbing, Bob; Berrigan T; Saroyan A., 1972
The name "Saroyan" is fragmented. -- Source of annotation: Marvin or Ruth Sackner.
Poetry for a New Age / Cobbing, Bob; Dufrene F; Johnson BE., 1970
Cobbing discusses theories of Louis Zukofsky involving music in poetry and the use of tape-recorders vs. solely the human voice in performing sound poems. -- Source of annotation: Marvin or Ruth Sackner.
Stockholm All-Electric Sound / Cobbing, Bob; MacBeth G; Hodell A; Heidsieck B; Hanson S; Chopin H; Johnson BE; Novak L; Giorno J., 1969
The theme of this work is "Where id Eldridge Cleaver?" -- Source of annotation: Marvin or Ruth Sackner.
This Is a Permissive Exhibition, 1969
This is Cobbing's introduction to " A Gala Exhibition" which took place at Royal Festival Hall in 1969. It included examples of contemporary British poetry and International concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.