Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Contains 134 Results:
Still Adding To My Alphabet Sound Poems This Morning, 1967
Gedicht [overlapping filled typed squares] (170664), 1964
In this poem, all the squares are typed, not collaged. The original typing is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
visualisation... (250164), 1964-1966
THAT, THIS and IS, 1965
IS, THIS and THAT (100465), 1965
PM, 1968
The initials refer to Pat Morrissey, the Director of the Bear Lane Art Gallery in Oxford England. -- Source of annotation: Marvin or Ruth Sackner.
grove sings 3, 1968
Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass.On the lower left side is inscribed " for ihf" e.g. Ian Hamilton Finlay. On the lower right an additional poem is drawn in rectangles that reads "louez" and "longs." -- Source of annotation: Marvin or Ruth Sackner.
grove sings 4, 1968
Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass. His instructions are "this version may be printed on thick white (card) to stand on looking glass best wld be for card to be such that it can be bent thus." -- Source of annotation: Marvin or Ruth Sackner.
Right / Left, 1969
This page contains R-L on the left side and the letters eft and ight on the right side so that the words Left, Reft, Light and Right can be created. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady [1], 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady [2], 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Vita Communi, 1952
In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Saint Sebastian Shot With Arrows], 1954
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Saint Benedict 2], 1953
[Saint Benedict 3], 1953
[Saint Benedict], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady Abstraction [1], 1953
Our Lady Abstraction [2], 1953
Our Lady Abstraction [3], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady Abstraction [4], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
