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Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)

 Container

Contains 134 Results:

Gedicht [overlapping filled typed squares] (170664), 1964

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-56698-10000086
Scope and Contents

In this poem, all the squares are typed, not collaged. The original typing is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

visualisation... (250164), 1964-1966

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-56699-10000087

THAT, THIS and IS, 1965

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-56896-10000261

PM, 1968

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-57018-10000380
Scope and Contents

The initials refer to Pat Morrissey, the Director of the Bear Lane Art Gallery in Oxford England. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

grove sings 3, 1968

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-57092-10000449
Scope and Contents

Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass.On the lower left side is inscribed " for ihf" e.g. Ian Hamilton Finlay. On the lower right an additional poem is drawn in rectangles that reads "louez" and "longs." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

grove sings 4, 1968

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-57093-10000450
Scope and Contents

Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass. His instructions are "this version may be printed on thick white (card) to stand on looking glass best wld be for card to be such that it can be bent thus." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Right / Left, 1969

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-57140-10000476
Scope and Contents

This page contains R-L on the left side and the letters eft and ight on the right side so that the words Left, Reft, Light and Right can be created. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Our Lady [1], 1952

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55313-9999063
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Our Lady [2], 1952

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55319-9999068
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Vita Communi, 1952

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55320-9999069
Scope and Contents

In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

[Saint Sebastian Shot With Arrows], 1954

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55321-9999070
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1954

[Saint Benedict 2], 1953

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55322-9999071

[Saint Benedict 3], 1953

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55324-9999073

[Saint Benedict], 1953

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55325-9999074
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [3], 1953

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55328-9999077
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [4], 1953

 Item — Box: Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966)
Identifier: CC-55334-9999081
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953