This depicts working ideas for Frog Pond Plop, later realized in a different form as Opening Number No.6, 1965 and is stofred in the drawing binder. The typing of this work is stored in the typing binder. -- Source of annotation: Marvin or Ruth Sackner.

This depicts working ideas for Frog Pond Plop, later realized in a different format as Opening Number No.6, 1965. -- Source of annotation: Marvin or Ruth Sackner.

The number 9 is substituted for all the letters "n" of the words in this text. Curt Cloninger in his Master of Fine Arts in Studio Arts thesis wrote about (Maine College of Arts 2008) "Apophatic Art: Enacting Exhaustive Language / Exhausting Enacted Language." He defined Apophatic Writiing: Apophatic writing in the Christian tradition is a way of talking about God that seeks to properly revere him by not overly delimiting him. "Apophasis' is negation and "kataphasis' is affirmation. Since God is beyond all we can affirm about him, in order to more accurately describe him, we must balance our affirmations with reverent negations. Theologian Bruce Ellis Benson (2002) explains, "One affirms something but denies it, because to affirm it too strongly would be heretical and to deny it completely would also be heretical." -- Source of annotation: Marvin or Ruth Sackner.

This depicts two nuns holding hands while lying in bed; It is collaged onto a page of Furnival's "Liber Amicorum 1964-1984," a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

dsh analyzes the sound poems of Cobbing and Jandl as well as making comparisons to Zen. -- Source of annotation: Marvin or Ruth Sackner.

The poem was may have been printed much later than its creation. The Sackner Archive holds the original of this poem. -- Source of annotation: Marvin or Ruth Sackner.

This typing in done in blue ink composed of nine constuctivistic images, formed by dashes and underlines, is arranged in a 3 x 3 grid. -- Source of annotation: Marvin or Ruth Sackner.

This essay is another copy of the manuscript with slightly different handwritten correctionss and appeared in ISIS No.1507, 1966, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This essay was published in "The Times Literary Supplement" No.3,258 August 6 1964 in a slightly modified form from this manuscript. The Sackner Archive holds this issue of TLS. -- Source of annotation: Marvin or Ruth Sackner.

This page contains the three concrete poems in the title. The third poem is an" homage a leopold sedar senghor." -- Source of annotation: Marvin or Ruth Sackner.