Box 610
Contains 31 Results:
dal canguro all'aithyia (o come farsi scrittura), 1981
dal canguro all'aithyia (o come farsi scrittura) [with insert], 1981
One of the typed poems is a concrete poem. -- Source of annotation: Marvin or Ruth Sackner.
le dieci porte di Zhuang-zi; the ten gates of Zhuang-zi, 1994
Desert Storm/Desert Sand, 1991
This bookwork emphasizes the major role of television in the conduct of the Gulf War. -- Source of annotation: Marvin or Ruth Sackner.
TVdocumentracings, 1973
Ockerse documents television programs by tracing lines directly from the TV screen. Words were selected from the programs by listening. -- Source of annotation: Marvin or Ruth Sackner.
Word and Image Equations, 1975
Tom Ockerse writes in his preface to this summer workshop report that "the occurrence of this study in a school of the visual arts is significant in that it deals with a kind of activity which is most often, traditionally, associated with literature. It affirms the view that the word is no longer limited to literary 'domain' and that the visual artist , perhaps through his conventionally less restricted view, can make a most important contribution to the development and understanding of human language."Mention is made of the Jean Brown Archive. A mention is made of the Jean Brown Archive, now in the Getty collection. -- Source of annotation: Marvin or Ruth Sackner.
The Sound of One Hand Clapping / Neaderland, Louise Odes., 1995
Hourglass: The Rhythm of Traces, 1998
The poet describes his work as visual/musical rhythms. The left pages are mostly composed of punctuation marks of varied type dimensions and the right pages are mostly poems with arrangements of words in clusters. Also designated Seeing Eye ooks Series II, Book 2. Some of the images in this book are also printed Sandri's "Capitolo Zero." a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
