Found 33 Results | ArchivesSpace at the University of Iowa

4 x 1, 1996

Item — Box: 340

Identifier: CC-60837-10003692

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

1 x 1, 1996

Item — Box: 340

Identifier: CC-60838-10003693

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

3 x 3, 1996

Item — Box: 340

Identifier: CC-60839-10003694

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

2 x 2, 1996

Item — Box: 340

Identifier: CC-60840-10003695

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

discarded poem 1, 1995

Item — Box: 340

Identifier: CC-60841-10003696

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / to be sorted (unpublished)

discarded poem 2, 1995

Item — Box: 340

Identifier: CC-60842-10003697

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / to be sorted (unpublished)

A 2, 1995

Item — Box: 340

Identifier: CC-60843-10003698

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

S1 [2], 1995

Item — Box: 340

Identifier: CC-60844-10003699

Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Omicidio, 1980

Item — Box: 340

Identifier: CC-22026-22442

Scope and Contents

Unable to find any background information on this poet. Purchased this work from Ugo Carrega. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Inter-Positions, 2006

Item — Box: 340

Identifier: CC-45972-48678

Scope and Contents

Each print consists of a photocopied image of a ink dot matrix printed computer image. Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / to be sorted (unpublished)

[Untitled] , 1989

Item — Box: 340

Identifier: CC-21537-21948

Scope and Contents The introduction of this catalogue was written by Gerard Xuriguera. Wikipedia: Gianni Bertini (1922-2010) From 1947, he produced abstract painting. In 1950 , he moved to Milan and made stain painings that were exhibited in October 1951 at the Galleria Numero in Florence which constituted the first examples of "nuclear art." Returning to Paris, he had his first solo exhibition (Arnaud Gallery) held in May 1952. From 1954 , he participated in the Salon de Mai. In 1957 , he was part of the "imaginary spaces" proposed by group Restany. He traveled extensively throughout Europe with solo exhibitions in Brussels , Copenhagen , Schiedam , Amsterdam. He moved to the United States where he worked with the Gres Gallery in Chicago. In 1961, he was invited to the Konsthall in Lund ( Sweden ) for a major retrospective which is then resumed at the Palais des Beaux-Arts in Brussels. It is close to the New Realism and 1962 exhibited at the Galerie J "real country." He uses photographic...

Dates: 1989