This book includes a complete isting of Campbell's books together with his comments on how and why each book was produced. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

The prints, which are photographic reproductions, depict Cavellini being crucified. -- Source of annotation: Marvin or Ruth Sackner.

Additional writers: Franco Cavallo, Pietro P. Daniele, Ciro Vitiello

These prints are based upon a typing done in 1993 which were photocopied onto a transparent sheet of paper and then laid over the original in five different ways creating five works "with dense patterns and moire effects." -- Source of annotation: Marvin or Ruth Sackner.

Campbell's comments on this book can be found in his catalogue at the Yale Center for British Art (held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.

Wayne Clements writes, "These drawings were created in 2002. They formed the core of the manuscripts of a book sent to a Canacian publisher. It was to be the third in a series of visual texts ...Unfortunately, the manuscript was lost and the drawings were never published. In 2013 one of the drawings (Live Your Epitaph) was exhibited in 'Visual Poetics', an exhbition at the Poetry Library, London, curated by David Miller and Chris McCabe. All the drawings use words and phrases from Shakespeare's sonnets." -- Source of annotation: Marvin or Ruth Sackner.

Cavellini appropriated a manila envelope mailed to him by the Sackners as the support for a collage with typical Cavellini correspondence art imagery. -- Source of annotation: Marvin or Ruth Sackner.

Designated folders #18. The poems are based upon markings from photomicrographs of a virus, cucumber, pine stem, steel and others substances. -- Source of annotation: Marvin or Ruth Sackner.

Designated Folders #27. The poems are based upon tracings from the bark of silver birch trees. -- Source of annotation: Marvin or Ruth Sackner.

Designated Folders #15. These poems represent Claire's first studies in utilizing abstract images from nature as the basis for sound poems. -- Source of annotation: Marvin or Ruth Sackner.