Box Artist Boxed Materials/Oversized: Chopin, Henri
Contains 76 Results:
Chronique: Page 38 [Collection Ou No.5], 1974
Photograph of Henri Chopin from Portfolio Chopin, 1978
This was taken from the manuscript of the portfolio for reproduction by Thames & Hudson -- Source of annotation: Marvin or Ruth Sackner.
[Typewriter Poems from Portfolio Chopin], 1978
Typewriter poems/art from Portfolio Chopin. Titled works include: "Rockets", "Il gele", "oui non", "vol volauvent". + 2 handwritten supplementary notes on the pieces, dated 1991
Henri Chopin's Two Imperatives, 1978
Nicholas Zurbrugg's review of the poetry of Henri Chopin
Le Palais Acoustique
Gérard-Georges Lemaire's review of the poetry of Henri Chopin
Luce Lune, 2001
This magnificent presentation of poetry and typewriting art uses varying shades and types of silver papers, several different type fonts and letter sizes and 16 typewritten poems that Chopin calls Dactylo-Poems. There is an inserted nine page accordion pamphlet entitled "Phases de Lune." The typography in this book dances across the pages. In this example Number A, there are five unique typewriter drawings; three represent the full moon and two are square figures. In addtion and not called for in the colophon, Chopin inserted a unique typewriter poem as the frontpiece that is captioned, "fresco for the signs in 2001 for Ruth and Marvin Sackner..." This tirage consists of 150 unsigned examples, 10 signed examples including an original typewriter poem, and the unique edition, copy A, that is signed and includes five unbound original typewriter poems as well as an additional smaller size typewriter poem within the book. -- Source of annotation: Marvin or Ruth Sackner.
Aux Hommes: you can no longer agree to live in a world, 1969
This is an intense political/anti-religious poem decrying extremists in the world that Chopin lists in the poem and characterized them by the statement, "IT IS FORBIDDEN to be the objects of imbeciles: catholicsprotestantsbuddhistmaoiststalinistsocialists...whohaveall agreed to destroy us." -- Source of annotation: Marvin or Ruth Sackner.
Aux Hommes, 1969
Gratte-Ciel N* 116 / Chopin, Henri., 1987
The English translation of the title is skyscraper. -- Source of annotation: Marvin or Ruth Sackner.
Les Cercles de Fees, 1984
The number 84 was typed repetitively to achieve the desired visual effect. -- Source of annotation: Marvin or Ruth Sackner.
Landscape for Marvin and Ruth, 1981
rmrmrmrm, 1980
Three Forms for Marvin and Ruth, 1985
This work was composed at the Sackner Archive during a sound poetry and typewriterart as a performance to all attendees by Chopin. -- Source of annotation: Marvin or Ruth Sackner.
The Ruth and Marvin Sackner Archive..., 1982
Vite: Poem-Graphique pour un Cerf-Volant, 1966
This is the original of the typing which appears in Chopin's book, "Le Dernier Roman du Monde." -- Source of annotation: Marvin or Ruth Sackner.
[Letter to John Furnival], 1968
Chopin requests Furnival to send graphics to ICA and to ask Houedard to send poems as well. -- Source of annotation: Marvin or Ruth Sackner.
