Skip to main content

Box Artist Boxed Materials/Oversized: D

 Container

Contains 72 Results:

Encarta Lei Seca, 1979

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-41484-43470
Scope and Contents

This exhibition was curated by Gabriel Borda. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Senza Titolo, 1989

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-15677-16006
Scope and Contents

The letraset drawing reproduced on page 13 of this book is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Fatrada 2, 1975

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-15068-15385
Scope and Contents

This copy also includes the originals and the photocopies of each of the works. According to Jan VanderDonk, there were five limited copies of this work that included include an original collage, an original lino-cut and two original drawings, signed by the artist. The content sheet prints: 1. Lino-cut 2. Le soldat inconnu 3. Sound poem 4. La belle momie 5. Gravure sur cuivre (trouvee, v. 1805) 6. Nímporte quoi 7. Projet photo 8. Colossal (found) 9. Drawing (photo-litho) 10. Drawing 11. Coloured drawing 12. Give him the inspiration 13. X-word. Thiis content is far less than in the current A copy held by the Sackner Archive. Ten of the typewritings are initialled 'hfg'; this is Cozette's son, Francois who composed the poems as a teenager. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Fatrada 2, 1975

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-15070-15387
Scope and Contents

The vertical height of the folders of the two copies held by the Sackner Archive significantly differ. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Picnic, 1969

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-15246-15568
Scope and Contents Mat stamped "Editore Francesco Conz." Internet: Paul de Vree (13 November 1909 in Antwerp, Belgium - 25 April 1982 in Antwerp, Belgium) was a Belgian poet, artist, publisher and critic. In the early 50s De Vree abandoned writing traditional poetry and then went through the stages of audiovisual poetry, concrete-visual poetry, visual poetry and poesia visiva. His works can be situated in the tradition of the international avant-garde that ran from Stéphane Mallarmé, Guillaume Apollinaire and Filippo Tommaso Marinetti via Van Ostaijen to Raoul Hausmann and Dada. De Vree created images of poetic, social and existential insights that appeared on constantly changing supports. De Vree was a complex and important figure with an international network and field of activity. He was particularly active in concrete and visual poetry and was important for the arts in his role as a critic and exhibition organiser. In 1953 De Vree initiated and co-founded De Tafelronde (1953-1981) magazine,...
Dates: 1969

Mens Mier, 1969

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-15674-16003
Scope and Contents

Mat stamped "Editore Francesco Conz." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

[Diamond Print], 1975

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-15869-16202

Poetamenos 1953 1973, 1973

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-16358-16708
Scope and Contents

This is the second edition of poems that were composed from January to July 1953 and first published in Noigandres 2, 1955, a periodical held by the Sackner Archive. The colored text of these poems has its origins in the musical melodies of Anton Webern. The images accompanying this record include three scans of the originals from 1953 donated to the Sackner Archive by Augusto De Campos and three offset prints from this 2nd edition of poetamenos as well as two reproduced poems in Emmett Williams' "Antholology of Concrete Poetry." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Letter from Kythera, 1994

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-29812-31191
Scope and Contents

The photocopied black & white image depicts a nude frontal view of a woman emphasizing her pubic hair. The white portion of the print is filled in with dense typed letters that do not have any linguistic meaning. Kythera aka Cerigo is a Greek island in the Mediterranean which had a temple of Aphrodite in antiquity. Presumably, Diotallevi is pointing out that language doesn't matter in a Temple of Love. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Luxo Lixo, 1965

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-58345-10001561
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

acaso, 1963

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-58395-10001611
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

terremoto, 1956

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-58412-10001629
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1956

por suposto, 1953

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-58413-10001630
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

8 quadrado, 1959

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-58414-10001632
Scope and Contents

This page was personally scanned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1959

salto leap, 1954

 Item — Box: Artist Boxed Materials/Oversized: D
Identifier: CC-58415-10001633
Scope and Contents

This page was personally scanned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1954