Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned underthe direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scanned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page was personally scanned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This copy also includes the originals and the photocopies of each of the works. According to Jan VanderDonk, there were five limited copies of this work that included include an original collage, an original lino-cut and two original drawings, signed by the artist. The content sheet prints: 1. Lino-cut 2. Le soldat inconnu 3. Sound poem 4. La belle momie 5. Gravure sur cuivre (trouvee, v. 1805) 6. Nímporte quoi 7. Projet photo 8. Colossal (found) 9. Drawing (photo-litho) 10. Drawing 11. Coloured drawing 12. Give him the inspiration 13. X-word. Thiis content is far less than in the current A copy held by the Sackner Archive. Ten of the typewritings are initialled 'hfg'; this is Cozette's son, Francois who composed the poems as a teenager. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The vertical height of the folders of the two copies held by the Sackner Archive significantly differ. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Mat stamped "Editore Francesco Conz." Internet: Paul de Vree (13 November 1909 in Antwerp, Belgium - 25 April 1982 in Antwerp, Belgium) was a Belgian poet, artist, publisher and critic. In the early 50s De Vree abandoned writing traditional poetry and then went through the stages of audiovisual poetry, concrete-visual poetry, visual poetry and poesia visiva. His works can be situated in the tradition of the international avant-garde that ran from Stéphane Mallarmé, Guillaume Apollinaire and Filippo Tommaso Marinetti via Van Ostaijen to Raoul Hausmann and Dada. De Vree created images of poetic, social and existential insights that appeared on constantly changing supports. De Vree was a complex and important figure with an international network and field of activity. He was particularly active in concrete and visual poetry and was important for the arts in his role as a critic and exhibition organiser. In 1953 De Vree initiated and co-founded De Tafelronde (1953-1981) magazine,...

Scope and Contents

Mat stamped "Editore Francesco Conz." -- Source of annotation: Marvin or Ruth Sackner.