Scope and Contents

This book is identical to the edition published by Frankfurter Kunstverein except that the colophon is printed in English rather than German. Both editions are held by the Sackner Archive. The poems, printed one to a page, are left in white on different colored backgrounds of narrow rectangles. Some of the poems have also been issued as cards or prints. -- Source of annotation: Marvin or Ruth Sackner.

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The eight colored prints play off the image of the Pansey, the flower as a camouflaged image of Panzer, the German armored tank. A section of this book is entitled, "Detached Sentances on Camouflage: In the Manner of Shenstone. William Snenstone (1714-1763) was a poet and gardner. This list aphorisms about floral and military tank camouflage. -- Source of annotation: Marvin or Ruth Sackner.

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This proposal for a revolutionary garden in Versailles was never carried out owing to a political perception in France that Finlay espoused pro-Nazi, anti-semitic views (this opinion is not shared by the Sackners). -- Source of annotation: Marvin or Ruth Sackner.

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The photographs consist of images of tree trunks and branches painted by Janet Boulton and photographed by Robin Gillanders. The images satisfy the caption on the first page, viz., HIGHLIGHT, n., a mark, sign, or medal, awarded by the light. The book was printed and bound by Colin Sackett. One copy of this book was given by Finlay to the Sackners as a Christmas gift. -- Source of annotation: Marvin or Ruth Sackner.

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The card is shaped like an arrow and has been made from marbled paper, a pun on the poem printed along an inside fold, "The Marble Arrow Always Hits Its Mark!" -- Source of annotation: Marvin or Ruth Sackner.

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The size of this edition is not known nor is it listed in Finlay's book Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.

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The stiff papercard is folded to permit the two columns of poetry to stand up. The poem describes Finlay's impressions of Malevich's suprematist paintings in terse terms. Another copy is stored in a Finlay box. -- Source of annotation: Marvin or Ruth Sackner.

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Finlay combines line images of airplanes with analogies to butterflies and a cherry blossom. This work consists of a folded sheet of light blue, blank tissue paper containing a second, slightly smaller, folded sheet of white tissue paper with line drawings of aeroplanes and text (in blue). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poem, on folded white paper shaped like an arrow, contains the message printed in red, "Beat the Reds with the White Wedge: Correspond!" This slogan has been modified from El Lissitzky's revolutionary poster, "Beat the Whites with the Red Wedge." It refers to an appeal to write in his support regarding his contemporaneous tax dispute. It does not appear to be referenced in the Finlay bibliographies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The poem is printed in red with folded paper shaped like an arrow. It was printed on the Second Anniversary of the First Battle of Little Sparta and its slogan relates to Finlay's dispute with the local tax collectors. Wikipedia: Ludwig Andreas von Feuerbach (July 28, 1804 "“ September 13, 1872) was a German philosopher and anthropologist best known for his book The Essence of Christianity, which provided a critique of Christianity which strongly influenced generations of later thinkers, including both Karl Marx and Frederich Engels. Feuerbach was the fourth son of the eminent jurist Paul Johann Anselm Ritter von Feuerbach, brother of mathematician Karl Wilhelm Feuerbach and uncle of painter Anselm Feuerbach. An associate of Left Hegelian circles, Feuerbach advocated for liberalism, atheism and materialism. Many of his philosophical writings offered a critical analysis of religion. His thought was influential in the development of dialectical materialism, where he is often...

Scope and Contents

The message deals with enlisting help for Finlay's despute with the local tax collectors. -- Source of annotation: Marvin or Ruth Sackner.

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This is a request to Martin Fidler, the bookseller who sold the Sackners the Finlay Archive, for out-of-print books by Confucius and by the philosopher J-H. Newman. It gives an indication of the seriousness of Finlay's depth of intellectual reading. -- Source of annotation: Marvin or Ruth Sackner.

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This print is a template for a design of covers for jampots base upon the image of sundials. -- Source of annotation: Marvin or Ruth Sackner.

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The twine is blue and the string is white. -- Source of annotation: Marvin or Ruth Sackner.

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The title of the work is printed on the folder; the print is of green stock paper and has a caption at its bottom that is entitled, ANTIQUE WOVE. -- Source of annotation: Marvin or Ruth Sackner.

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This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

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A wash-like painting of the sky, the sea, a road, a desert, with "Ulysses Was Here" printed on the road in classical typography. -- Source of annotation: Marvin or Ruth Sackner.

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The cabin of an aircraft carrier above the landing field is used as a metaphor for the accompanying poem by Finlay, "At the field's edge, on the vertiginous cliff-top, stood a solitary hut." The poem is printed on the bottom of the back page. -- Source of annotation: Marvin or Ruth Sackner.