The pages of this book object are blank. -- Source of annotation: Marvin or Ruth Sackner.

This book is a white pages telephone book of Brussels. The artististic contribution was the writing of her name, address, and telephone number on the side margin of the alphabetical page for Janssens. Born in 1956 in the United Kingdom, Ann Veronica Janssens lives in Bruxelles. She now has an international reputation, in particular for installations that plunge visitors into coloured artificial fogs that challenge our habits regarding perception and sense of direction (MUKHA 1997, Venice Biennale 1999, Kunsthalle Berne 2003, MAC Marseille 2003, Neue Nationale Galerie Berlin 2001, 1301PE gallery LA 2003.), her bicycles with reflective wheels (Neue Nationale Galerie Berlin 2001, Middleheim Museum Antwerp 2002, MUKHA Antwerp 2003) and other works making play with the parameters of light. -- Source of annotation: Marvin or Ruth Sackner.

Rifas indicates on the verso of the label, "This is an offshoot of a 1990's environmental piece called 'Fragile, Damaged, Extinct.' The word 'extinct,' in declining size letters, is etched into one of the open scissor blades. -- Source of annotation: Marvin or Ruth Sackner.

A small soft cover book is wrapped in papers which include the text above and "Non-Archival Book Instructions: Light Fuse and Get Away." With the exposed string on top, this book object resembles a fire cracker. -- Source of annotation: Marvin or Ruth Sackner.

Beaulieu made this book by tracing a line to each letter of Abbott's book "Flatland. -- Source of annotation: Marvin or Ruth Sackner.

This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

Printed on white paper. The image on the inside back cover is a small, hand drawn, black square. -- Source of annotation: Marvin or Ruth Sackner.

Printed on gray paper; the Sackner Archive also has a copy printed on white paper. The image on the inside back cover is a small, hand drawn, black square. -- Source of annotation: Marvin or Ruth Sackner.

Object is a rubberstamp of the title. -- Source of annotation: Marvin or Ruth Sackner. The rubber has mostly disintegrated.

The poem by Ian Hamilton Finlay, printed on a small paper fragment, reads "warship worship." -- Source of annotation: Marvin or Ruth Sackner.

Beaulieu invited 15 artists and poets to modify the original patent for Lego toys artistically or poetically and assembled the results into this piece. -- Source of annotation: Marvin or Ruth Sackner.

This badge might have been done by levy in his lifetime or posthumously by one of his followers. -- Source of annotation: Marvin or Ruth Sackner.

Note: this badge was created by levy, likely in 1967, as he referred to it in Kibbutz In the Sky Book 2, 1967.

The title of this piece is from Duchamps' version of Leonardo da Vinci's Mona Lisa who has been adorned with a comical moustache and goatee thus deserving its alternate title Joconde aux Moustaches. The title is essentially a phonetic game. As Duchamp himself noted in a 1966 interview, "I really like this kind of game, even in any language, some astonishing things happen." When read quickly in French, the title L.H.O.O.Q. sounds like a sentence translating to "She has a hot ass." -- Source of annotation: Marvin or Ruth Sackner.

This book is not listed in the Wikipedia bibliography of the press. -- Source of annotation: Marvin or Ruth Sackner. Date originally recorded as 1975.

This catalogue represents a retrospective exhibition of the work of Costa (1942-1995) whose theme is transformation, metamorphosis and cultural anthropology. It includes essays entitled, "The Theatre of Wreckage," A Journey, a Collection of Saints, a Charcoal-maker, Spring Water and the Magic of Artistic Expression,"In the Company of Human Brain and Prehistoric Man" and "The Reconstruction of the Human." -- Source of annotation: Marvin or Ruth Sackner.