The work consists of two white cardboard cubes, each with the word, "silence" printed on their sides; in one the print is black, in the other white. -- Source of annotation: Marvin or Ruth Sackner.

This is a proposal for a garden path of bricks stamped with names of trees taken from Sir William Temple's book "Gardens in Virgil's Time," viz., 'The trees were the elm, the pine, the lime-tree, and the Platanus, or plame-tree, whose leaf and shade, of all others, was the most in request...' -- Source of annotation: Marvin or Ruth Sackner.

The identical words "sea threw" are carved on two granite stones. This sculpture is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This print was constructed according to rules of the golden section but most of the lines have been erased even though this version is designated as the final proof. The print was not editioned but a musical piece with the same title was cokmposed in 1991. This was recorded on a compact disc in 1997, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This print was constructed according to rules of the golden section with these lines retained in gold ink. The print was not editioned but a musical piece with the same title was composed in 1991 and recorded on a compact disc in 1997. The disc is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This print is not listed in Finlay's book, Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.

This is a 1991 limited edition cloisonné pin designed by Weiner, commissioned by the Peter Norton Family Foundation for use as an hors commerce holiday gift. The pin rests in a white (with red lettering) paper sliding matchbox-style enclosure, on a cotton cushion. The pin reads "Stars Don't Stand Still In The Sky For Anybody." The box reads "Stars Don't Stand Still In The Sky" on top the artist's name on one side and the year and edition on the other side. -- Source of annotation: Marvin or Ruth Sackner.

This Christmas gift from Bart consists of instructions on how to mount the given objects that are stored in a red silk bag onto a printed paper base creating a constructivistic minataure landscape. -- Source of annotation: Marvin or Ruth Sackner.

The concrete poem on the title page reads, "The void enclosed by the squares of three four and five." The poem is also reproduced on the back cover in a different shape. -- Source of annotation: Marvin or Ruth Sackner.

A.S.C. Rower is the grandson of the artist Alexander Calder. -- Source of annotation: Marvin or Ruth Sackner.

Dyar has written on the cardboard base, "Rocks, dirt & photos as mail art." -- Source of annotation: Marvin or Ruth Sackner.

Rinder writes in an introductory essay that Jochen Gerz, aka The Berkeley Oracle, "in homage to the questioning spirit of Berkeley in the 1960's, invited questions to be posted on a web-site, hosted simultaneously by the Berkeley Art Museum and the Center for Art and Media...Gerz' piece alludes to the Oracle at Delphi..In the spring of 1998, Gerz selected approximately forty questions from the Berkeley Oracle, printed them out, and placed them in various locales around the Berkeley Art Museum. Some were installed in the galleries, along side works of art, while others were tucked away in unexpected places." The questions are reproduced, one to a single sided transluscent page in this book. The printed red lettered sentences on translucent paper are philosophical questions that might be answered by an oracle. -- Source of annotation: Marvin or Ruth Sackner.