Abstract markings

This drawing contains a heart-like design in the center section. Three single letters are placed on the sides. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / B / Babenko, Dmitry

New Writing 1-3 , 1991

Item — Box 340: [Barcode: 31858072491255]

Identifier: CC-23225-23664

Scope and Contents

Edited by Damian Lopes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / to be sorted (unpublished)

New Year Greetings Happy 1997! / Cobbing, Bob ; Cobbing, Jennifer., 1996

Item — Box 385: [Barcode: 31858072461506]

Identifier: CC-29153-30499

Scope and Contents

Also designated Winter Poem No.20, Xmas Day 1996. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / C / Cobbing, Bob / Greeting Cards

Nine Prints Exhibited in Live in Your Head Exhibition, 2000

Item — Box 635: [Barcode: 31858072464757]

Identifier: CC-35074-36802

Scope and Contents

The catalogue of the exhibition, for which these prints that were originally made in the period 1965 -1975, is also held by the Sackner Archive. The prints probably were a small edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / C / Cobbing, Bob / 2000s / 2000

Not Just Heard / Cobbing, Bob ; Upton, Lawrence., 1996

Item — Box 388: [Barcode: 31858072463676]

Identifier: CC-44957-47131

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / C / Cobbing, Bob / Domestic Ambient Noise Series (with Lawrence Upton)

Our Lady Abstraction [5], 1953

Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]

Identifier: CC-55340-9999087

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / H / Houédard, Dom Sylvester

Our Lady Abstraction [6], 1953

Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]

Identifier: CC-55362-555333

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / H / Houédard, Dom Sylvester

Our Lady Abstraction [7], 1953

Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]

Identifier: CC-55363-753226

Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953