The seven folders consist of a drawing by each artist and a sheet of tissue, numbered and rubberstamped with capital letters. Andryczuk's drawings are on the outside of the folded sheet and Scherstjanol's ink drawings are inside with the tissue papers between. The colophon is a collaboration of both artists. -- Source of annotation: Marvin or Ruth Sackner.

Although the edition size is nine copies, every drawing in each of the copies is unique. -- Source of annotation: Marvin or Ruth Sackner.

This is one of six copies of a handwritten book. -- Source of annotation: Marvin or Ruth Sackner.

Most of the pages consist of a listing of German villages that are printed on the left side of the page. The right side consists of handwritten calligraphic markings and ideograms. Although five copies of the book were made, each is actually unique since the calligraphy varies from one to another. The last six pages provide documentation for the book. -- Source of annotation: Marvin or Ruth Sackner.

One of the pamphlets that consists of a printed folded papercard sheet depicts a colored photograph of Scherstjanoi and also includes the colophon. The other pamphlet consists of Table of Contents for the picture poems in the three books. The theme of the drawings is Scherstjanoi's hieroglyphic, interpretations of the landscapes of Aix-en-Provence and Arie after Paul Cezanne and Vincent van Gogh. The individual drawings are reminiscent of those found in the books by Albrecht Genin that are also hold by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The hard cover book includes 15 hieroglyphic drawings uilizing Scherstjanoi's own alphabet that is explained in the book. The poem-drawings are sound poems. Each card depicts a single "letter" of the alphabet. The calligraphy resembles that of Albrecht Genin and Werner Hartmann. -- Source of annotation: Marvin or Ruth Sackner.