Laxson writes that the "Letters to the Ether Other" first existed as one-of-a-kind bas relief wall pieces... This small edition is a spin off of that work printed while the hand-set type was still in tack on various papers found around the studio." Each page is presented as a combination folded letter with a black printed envelope waiting to be mailed. -- Source of annotation: Marvin or Ruth Sackner.

The object is shaped like an envelope with a Laxson "postage stamp in the right upper corner. The printed message on the envelope reads, "Dear Sirs: I recently received your MULTI-Measuring Device. It arrived in good condition, but it does not allow for the/the image slippage factor! Do you have a new model? Sincerely yours... -- Source of annotation: Marvin or Ruth Sackner.

The booklet was designed using drawings made by Pagiras to form the word, 'Lettre,' one letter to a page. These letters are repeated on each page along with abstract markings and/or a profile of a stylized face. After completion of the text, the page depicts a stylized frontal view of the face with different letters eminating from the area of the brain. Book displayed in glass case and envelope in small objects box. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of 15 sheets, 17.9 x 81.2 cm conjoined to form a single scroll backed with purple cotton fabric. It is read as a continous work from top to bottom and printed with conventional typography (14-point Times Roman). The handmade lead storage container is decorated with gold wire. Mutel states that the lead box is about memory and inside the box we can find the whole life of the unknown woman going and going like a river. -- Source of annotation: Marvin or Ruth Sackner.

These collages have the same formatted media presentation but differ in their themes most of which are abstract. However, one of the calligraphic images is modeled after a Futurist Parole In Liberta landscape poem in which large dotted "i's" serve as Roman columns while another depicts an oriental face. -- Source of annotation: Marvin or Ruth Sackner.

The book is an Italian- Spanish dictionary containing 12,000 words. This work is also depicted in the exhibition catalogue, "Parole in Vista" (2002), perhaps with a different dictionary. -- Source of annotation: Marvin or Ruth Sackner.

This totally white book which is opened to facing pages has lines of calligraphic markings made by linear carving into the soft paper (carta scolpita). -- Source of annotation: Marvin or Ruth Sackner.

The dark brown covers of this book have been collaged, crumpled and heavily varnished by Seille to create a unique artist binding, The endpapers consist of fluid calligraphic writing in an unrecognizable alphabet, written in black paint reminiscent of Chinese calligraphy. The pages are collaged with the artist's unique drawings consisting of images, numbers, surrealistic drawings and organic structures. The pages are varnished such that a crunchy sound is emitted upon turning the pages. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dautricourt has drawn made-up, simulated Arabic letters in white ink on a black paper background. The opened facing pages are the only visible part of the book; the other pages are glued together. -- Source of annotation: Marvin or Ruth Sackner.

This unusual exhibition catalog, which itself can be classified as an artist book, consists of booklets with reproductions from limited editioned artist and illustrated books. -- Source of annotation: Marvin or Ruth Sackner.