The title is reflected in the eight open-faced, pop-up, heart shaped pages. Andrew Binder found the metal lower half of the box container which suggested a half of a heart. The book pages are designed to be opened and viewed from the back forward, like a Hebrew book. Each collaged page is intricately engineered and lushly illustrated with drawings of men and women, various flora, hearts marked with Russian text, hands, rib cage, insects, a 3D spiral, sea creatures, and a fish. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was designed by the first three authors and the exhibition was curated by the last two. Ron Glowin contributed an essay on the art of making art in boxes. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of a designer alphabet by Reichert. -- Source of annotation: Marvin or Ruth Sackner.

Each "page" of this book is a round rubber gasket upon which the artist has printed statements beginning with O, e.g. O MY, OOO LA LA, OH WELL. The book is "bound" with a macrame strip. The title also refers to the well-known, erotic French novel with the same title. -- Source of annotation: Marvin or Ruth Sackner.

Pages of the book are sealed together. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book deals with women's lips, eyes, and vagina. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book are rolled on a wooden rod and held in place by a malleable lead sheet stamped with the title, "Tomzack." -- Source of annotation: Marvin or Ruth Sackner.

This is a fragment of a telephone book that Sit (1917-1987) has torn in a progression such that the narrowest page occurs at the beginning, the widest pages toward the middle, and the torn pages narrow at the end. It is reminiscent of the torn pages, artist books by Buzz Spector and Scott McCarney but Sit tears the pages more crudely. -- Source of annotation: Marvin or Ruth Sackner.

The book was designed, printed and handbound by Johnson. The illustrations, based on the original style of Thomas Tenniel, the original illustrator of Alice in Wonderland, were recreated by Yvonne van Rietschoten. The letters were written by Lewis Carroll a.k.a. C.L. Dodgson and printed with a computor by the author. Twenty-six letters were chosen addressed to 26 people in alphabetical order of their first name. Each letter of the alphabet with an illustration is printed on the outside of each envelope page. This book was awarded the Bienes Book prize at the Broward County public library. Marvin Sackner served as one of three jurors in this selection. -- Source of annotation: Marvin or Ruth Sackner.

This book commissioned for "The Beauty In Breathing" exhibition was created utilizing a trade edition book as a support structure. Barron composed poems and utilized poems from other poets along with found text. She placed them in the layers of the book, e.g.,"Twisting silence into words, my shrouded shadow sucked deep of a breath of emptiness, to shriek into its own ear," (S.B.) "what have you done to the garden that was entrusted to you?" (A. Machado) and "Breathe in a mouthful of dust..." -- Source of annotation: Marvin or Ruth Sackner.

This book was done to commemorate the death of Bob Kaufmann, a fellow communist poet who lived in the North Beach section of San Francisco and was a good friend of Hirschman. -- Source of annotation: Marvin or Ruth Sackner.

Herve Dupont, a master French glass artist, made the binding for this conventional poetry booklet. It consists of two, colored, heavy glass panels. -- Source of annotation: Marvin or Ruth Sackner.

Each page is typed with lines of lower case letters a to z and then z to a. Each successive page is over-typed with increasing density such that the additional letters create a moire effect. -- Source of annotation: Marvin or Ruth Sackner.

Images include Greta Garbo and others from the Art World. This also appears in a trade edition which is held by the Sackner Archive. The box and handcoloring make this edition unique. -- Source of annotation: Marvin or Ruth Sackner.