Artist book
Subject Source: Sackner Database
Found in 243 Collections and/or Records:
Eighteen Self-Portraits - Fifteen Portraits - Nine Portraits in Two Different Forms, 1991
The book summarizes questionaires in the mail sent by the author asking for 10 dates which the respondent thought signified their being "penetrated by our culture." -- Source of annotation: Marvin or Ruth Sackner.
Éloge de l'Italique, 1989
Shape of book whose pages are completely sealed is slanted like an italic letter, consonant with the title. -- Source of annotation: Marvin or Ruth Sackner.
Éphèse, Paroisse une Saison en Enfer, 1988
"An unpublished text by Christian Gabriel/le Guez-Ricord. An original triptych made by Anik Vinay (paper work, embossing, pastel). A design of the set and a realization of Émile-Bernard Souchière. Either a typography in gold ink on black Japan. A pyramidal and spherical place of wood, glass and metal marked with writings."
Taken from:(https://atelierdesgrames.com/livres-objet?start=6)
Essaying Wanda 1978-1990 Volume One, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume Three, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume Two, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Esto Es Aquello, 1986
Etymological Collection Of Adverbs Equivalent-To-103, 1983
Everything is Poetry, 1993
Execution, 1987
The spine of the book in this composition, which has been altered to the appearance of a Guillotine, is entitled "Creative Aggression." This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Exemplaire Unique, No. 17, 1980 - 1984
Exemplaire Unique No. 20, 1980
Fantastique Journée, 1984
Exhibited in Visualog 2 in San Opispo, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Fiestaware, 1985
The cover and each page depict a photograph of female nude collaged with components of industrial machines tools that are placed in strategic positions. -- Source of annotation: Marvin or Ruth Sackner.
fifty-two words, 2001
The artist describes this book as follows. "The book consists of fifty-two pages, each with one word repeated and overlaid across the page. A symbol that represents a way of understating each word is cut out with colored papers laid under the cut-outs. Half of the pages contain a phrase related to both the word and symbol printed in a light grey. Cloth covered stiff leaf binding, laser printed text, cut pages, Japanese dyed paper." The book opens to a circular form. -- Source of annotation: Marvin or Ruth Sackner.
fin-de-siècle, 2000
The round images on the four pages are a backward clock face, Stonehenge, a labyrinth and the earth as seen from space. The pages are attached to the lock handle and the key is in the lock. This is Bart's greeting for the new millenium. -- Source of annotation: Marvin or Ruth Sackner.
Fire Engine Red, 1995
This book commemorating Valentine's Day 1995, consists of randomly arranged phrases containing the word, red, which is omitted and marked with an underlined space. A red pencil is provided in the base to allow writing this missing word. The transluce pages that fold over each other were printed with a laser from a MacIntosh computer. The ink drawings in black ink depicting red colored fruits (apple, strawberry, etc.) on the covers were printed letterpress at the Center for Book Arts, NYC. -- Source of annotation: Marvin or Ruth Sackner.