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Artist book (limited edition)

 Subject

Subject Source: Sackner Database

Found in 234 Collections and/or Records:

Die Zerstorung Dresdens und Ihre poetischen Folgen, 1995

 Item
Identifier: CC-10580-10785
Scope and Contents

The theme deals with the destruction of Dresden by the Allies fire bombing during World War II. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Dieresis, 1969

 Item
Identifier: CC-59657-52169
Scope and Contents

This book consists of mostly unrelated, b&w photographs, one to each page, probalby taken from magazines. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

DMT 42 (Deluxe Edition) / Golikova, G.V.; Laing, Gerald., 1969

 Item
Identifier: CC-37677-39551
Scope and Contents

This book consists of a love story with peculiar typography - the letters are formed by selectively filling in or overlaying two concentric circles with black or red ink. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Écriture sur le Mur, 1987

 Item — Box 129: [Barcode: 31858072457892]
Identifier: CC-27498-28548
Scope and Contents

Twenty copies of the examples de tete were bound by Knoderer - the Sackner Archive copy is one of these copies. The illustrations by Pageris are semi-realistic, line drawings with a background of black watercolored abstract markings. The bookbinding has sample strips of tooled and painted leather laid into a bimorphic shape whose silhouette has features resembling the side of the human face. The binding is much larger than the booklet which is conventionally shaped. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Editions Camomille, No. 3: Espece d'Image, 1989

 Item — Box 175: [Barcode: 31858072459278]
Identifier: CC-13467-13769
Scope and Contents Internet: Michel Francois, born in 1956 in Saint-Trond (Belgium) has participated in the Venice Biennial (1999), in Documenta 9, Kassel (1992) and has shown his work at many solo and group shows around the world. The Institut d'art contemporain presented Plans d'evasion, the first large monographic exhibition of Michel Francois' work produced jointly with the S.M.A.K. (Stedelijk Museum voor Actuele Kunst), Ghent. This collaboration between the S.M.A.K. and the IAC shows their common interest in monographic exhibitions, that is to say directly with the artist, providing him with the space, the time and the means to show work in all its complexity. It also allowed the publication of the first retrospective catalogue of the artist's work, an occasion to take full measure of what he has done since the 1980s. Symmetry is a fundamental element in the relation between Michel Francois and the two exhibition spaces. At the Institute, he uses this feature while readapting the presentation of...
Dates: 1989

Editions Camomille, No. 11: Vis-a-vis: Biografie de Henriëtte van Egten et Jan Voss, 1991

 Item — Box 148: [Barcode: 31858072458015]
Identifier: CC-13464-13766
Scope and Contents

The colophon states that each book is different and contains original drawings. The pages mainly are recyled from other books published by the Boekie Wookie group in Amsterdam. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Editions Camomille, No. 13: Sept Ans de Bonheur, 1991

 Item — Box 237: [Barcode: 31858072460375]
Identifier: CC-14353-14662
Scope and Contents

Ben has written on one side of the mylar pages which have a mirror surface so that the opposite blank page gives a mirror, almost 3D appearance, to the text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Editions Camomille, No. 14: Variations du Silence, 1992

 Item — Box 238: [Barcode: 31858072459484]
Identifier: CC-13459-13761
Scope and Contents

The back cover of the book is bound to the inside of the case such that the book and case are integrated. The style of the drawings is somewhat reminescent of that drawn by Roland Topor. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Editions Camomille, No. 17: Degel, 1993

 Item — Box 175: [Barcode: 31858072459278]
Identifier: CC-13470-13772
Scope and Contents

Each pair of eyeglasses is unique, an analogy to the ready-mades of Duchamp. The box that contains the book and objects has the appearance of an oversized wooden match box. Bloomberg News published a mostly negative review of Miami's private art collections and Art Basel Miami in general. However, Favre's work was mentioned in a positive light: "To be surprised, you had to venture into the smaller galleries and satellite fairs. Discoveries for me were Christopher Kurtz's wood sculptures, including "First Dark" (2010), an abstract amalgamation of ornament, bird and star; Valerie Favre's inventive, narrative ink drawings and collages exploring themes of performance and dream; and the quirky, mixed-media tree sculptures of Gonzalo Gonzalez." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Electric Samara Lightbook / And, Miekal., 1981

 Item — Box 315: [Barcode: 31858072490836]
Identifier: CC-27155-27630
Scope and Contents

The font of the letters on the pages has been taken from game of Scrabble. The cover is labeled in crayon as Silkscreen by Miekel And. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Essai sur la Sculpturale, 1967

 Item
Identifier: CC-23137-23575
Scope and Contents

Perforations are related to images of body orifices. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Ex Libris, 1991

 Item — Box 608: [Barcode: 31858073143558]
Identifier: CC-14640-14953
Scope and Contents

This book also served as documentation for an exhibition at Galerie Sophienstrasse 8, Berlin, Sep-Oct, 1991. It includes sketches for book object-sculptures. The cover was made by Deisler. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991