The pages of this book are black and the poems and illustrations are grey, blue, red and turquoise. The hand done typography is highly stylized. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of three booklets and a leaflet mounted within the hard covers. -- Source of annotation: Marvin or Ruth Sackner.

Campbell's comments on this book can be found in his catalogue at the Yale Center for British Art (held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.

This is a book of visual/verbal erotica done in a cartoon style. -- Source of annotation: Marvin or Ruth Sackner.

The collage consists of Hansen's typical image of Venus of Willendorf made with gold foil. The outline of the image is the collage on the final page. The photographs are portraits of Hansen, one of which is a deliberate double exposure. -- Source of annotation: Marvin or Ruth Sackner.

Several prints and collages have been signed by Olbrich. -- Source of annotation: Marvin or Ruth Sackner.

Most works in this book were made by Deisler. -- Source of annotation: Marvin or Ruth Sackner.

Each page has a frontal line drawing portrait of a woman's face with short cropped haie presumably Linda Bandt Depew, Wally's wife. The drawings are altered with various shadowy effects and are printed in black or red. -- Source of annotation: Marvin or Ruth Sackner.

The poem object consist of two silkscreened prints depicting experimental music scores wrapped several times around a stiff printed card. The folders insert within a bent open plexiglas frame; the abstract plaster sculpture is sited on the forward bend of the plexiglas frame. The plastic circular poem object with white painted handwriting is mounted on an opened folder on the back of the book object. The sound poem was recorded on the tape casette by Serge Pey. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Exit 2. The print was made by Claudio Parmiggiani. -- Source of annotation: Marvin or Ruth Sackner.